Adolf Schinnerer

Adolf Schinnerer ( born September 25, 1876 in Schwarzenbach an der Saale, † January 30, 1949 in Ottershausen, community part of Haimhausen in Upper Bavaria ) was a German painter, printmaker and draftsman.

Life and work

Schinnerer grew from 1887 to 1900 in Erlangen, and lived there from 1903 to 1912 in Tennenlohe at Erlangen. He studied in Karlsruhe at the Art Academy and was among other things a pupil of Walter Conz, Ludwig Schmid -Reutte (1862-1909) and Wilhelm Trübner. He then studied at the Academy of Fine Arts in Munich and operating at the same time the study of art history. 1909/1910 he was awarded the Villa Romana Prize, connected to a one-year stay in Italy. In 1921 he acquired in Ottershausen in Munich an estate called " Schlössl ".

He originally came from the French Impressionists, but he later limited his palette to a few bold colors. In Munich, where he was co-founder of the New Secession, he was a professor from 1924 at the Academy of Fine Arts.

He is a master of drypoint and has plenty of illustrated, for example 1921 The Tempest by William Shakespeare.

1946 took over Schinnerer the reorganization of the artists' association Dachau ( KVD ), the first chair he held until 1947, and was " involved in the Friends of the National Print Collection in Munich " in the founding of the Association for original etching as well as the.

Publications

  • Anger as an eraser. In: German art. Volume 51, 1925.
  • Nudes from five centuries. Munich 1925.
  • Rembrandt drawings. Munich 1944.
  • Adolf Schinnerer (ed.): Michelangelo's Last Judgment in 45 images. Introduction of Adolf Schinnerer. Features: Emil Preetorius. Munich 1949.

Art and illustrations

  • Shenanigans with the cutting needle. 9 etchings. In 1905.
  • The journey of the young Tobias. 16 original etchings, 20 prints from the unverstählten plates. In 1906.
  • The father. A tragedy with 12 original lithographs by Adolf Schinnerer, from the Swedish by E. Schering, 1918.
  • The 18th Psalm. Tome of 12 sheets (including 2 empty), with 16 lithographs (of Adolf Schinnerer ) and lithographed text. Schröder, Munich 1921.
  • Ms. Petrarca: sonnets. After the best transfers selected by Fr Špunda. With 12 lithographs by A. Schinnerer. Müller, Munich 1920.
  • William Shakespeare: The Tempest. With 26 (including 5 -page ) Etchings by A. Schinnerer. Schröder, Munich 1921.
  • Stone drawing with a contemporary poem by Ricarda Huch. In 1923.
  • Once the day is coming ... Stone drawing. In 1923.
  • Stained glass in Church of Peace of Nuremberg. In 1929.

Student

  • Otto Johannes Bähr in the period 1948-1950
  • Otto Ditscher, painter, in the period 1922-1925
  • Walter Young, painter
  • Heidy Stangenberg - Merck, painter
  • Remigius Netzer, painter and graphic artist
  • Karoline Wittmann, painter
Graphic designer Impressionism Integrated Authority File
30725
de