Antwerp Mannerism

The group of Antwerp Mannerist includes an unspecified number to be defined by painters of the Antwerp Guild of St. Luke at the beginning of the 16th century.

Naming

The scientific name Antwerp Mannerist goes back to Max J. Friedlander, who started since 1903 in the preparation of his great publication on the Early Netherlandish painting to capture art in various public and private collections, and stylistically to put in context. The first article in this grouping appeared in 1915 and the absence of traditional historical stage name, he shot it five basic Notnamen, often derived from the subject and the repository of the work to which five more were added in subsequent publications until 1937. Friedlander's intention to strike an arc to the Italian Mannerism with the group designation Antwerp Mannerist painter, draws from a variety of motives, which have to be discussed and evaluated today.

The Antwerp Mannerist

  • Pseudo- Bles, named after a later added as stated signature Henricus Blesius f on the Adoration of the Magi in the Alte Pinakothek in Munich.
  • Master of Milan Adoration of the Magi, named named after a Triptych with the Adoration of the Magi in the Pinacoteca di Brera in Milan
  • Master of Groot ash worship, named after the coming from the collection of Groote today at the Städel Museum in Frankfurt kept the Triptych Adoration of the Magi
  • Master of the Antwerp Adoration, named after the day in Antwerp's Royal Museum of Fine Arts preserved small Triptych with the Adoration of the Magi, St.. Georg and St. Margaret
  • Master of 1518, named after the wing paintings of the Antwerp altarpiece in St. Mary's Church in Lübeck, where the year 1518 is painted
  • Master of the Antwerp Crucifixion, named after the image of a Crucifixion, now in the Antwerp Museum Maagdenhuis
  • Master of the martyrdom of the two saints John
  • Master of Solomon triptych
  • Jan de Cock
  • Master of Amiens
71230
de