Gerd Sannemüller

Gerd Sannemüller (* October 19, 1914 in Heiligenstadt / calibration field, † June 13, 2008 in Kiel ) was a German composer, pianist and musicologist.

Life

Sannemüller put his Abitur in Stralsund. He studied musicology with Arnold Schering and Georg Schünemann, history, philosophy and psychology at the Friedrich -Wilhelms -Universität zu Berlin and music education at the University for Music Education and Church Music in Berlin. He took the examination for the higher teaching. He then worked as Studienassessor and pianist in Belin. During World War II he was drafted into military service. Later he studied musicology with Hans Albrecht, Friedrich Blume and Kurt Gudewill, history and psychology at the University of Kiel. He received his doctorate in 1961 ml of the work, the piano works of Maurice Ravel Dr. phil. in Kiel.

He was an instructor at the Pedagogical University of Flensburg and since 1962 at the Pedagogical University of Kiel. From 1965 to 1983 he was professor of musicology and music didactics as well as director of the Institute for Music and its didactics in Kiel. He was interested in the composer Maurice Ravel, Paul Hindemith and Béla Bartók and Witold Lutosławski Polish contemporary music and Karol Szymanowski. He was in contact with the Austrian composer Gottfried von Einem. Sannemüller was editor of singing and playing music of Hindemith Complete Edition, and co-author of the Hindemith Yearbooks of the Hindemith Institute. He was also a foreign author of the Neue Zürcher Zeitung. His compositions are performed regularly in the Theater Kiel. His brother is the violinist Horst Sannemüller, he often accompanied on the piano.

Writings (selection )

Monographs / editorship

  • The piano works of Maurice Ravel. ( Attempt at a stylistic foundation ). Dissertation, Kiel 1961
  • Maurice Ravel. Daphnis and Chloé. 1st and 2nd Suite ( = Masterpieces of Music, 39). Fink Verlag, Munich 1983, ISBN 3-7705-2167-6
  • The " Ploen Music Day " by Paul Hindemith ( = Sources and Studies in Music History of Schleswig-Holstein, 4). Wachholtz Verlag, Neumünster 1976, ISBN 3-529-06304-5
  • Volume VIII: singing and playing music I. In: Kurt von Fischer and Ludwig Finscher (ed.): Paul Hindemith. Complete Works. Schott Music, Mainz 2002

Hindemith Yearbooks

  • The Philharmonic concert by Paul Hindemith. In: Hindemith -Jahrbuch 6 (1977 ), pp. 76-103
  • Use music in the works of Paul Hindemith. In: Hindemith -Jahrbuch 21 ( 1992), pp. 26-46
  • Hindemith days in Lübeck ( 1932). In: Hindemith -Jahrbuch 28 (1999 ), pp. 273-295
  • Hindemith and Schoenberg. Stages of a relationship. In: Hindemith -Jahrbuch 32 (2003 ), pp. 235-253

Essays / Articles

  • Ravel's position in French music. In: Wilfried Brennecke, Hans Haase (ed.): Hans Albrecht in memoriam. Commemorative volume with contributions from friends and students. Barenreiter, Kassel [ et al ] 1962, pp. 251-256.
  • Bèla Bartók's Suite Opus 14 style and plant analysis. In: Swiss Music Newspapers - Swiss music education leaves 105 (1965), pp. 10-20
  • The " classicism " in music of the 20th century. In: Schweizer Monatshefte 46 (1966 /67), pp. 463-472
  • New Music in Poland. In: Schweizer Monatshefte 46 (1966 /67), pp. 1053-1059
  • The " Concerto for Orchestra " by Witold Lutosławski. In: Swiss Music Newspapers - Swiss music education leaves 107 (1967), pp. 258-264.
  • Karol Szymanowski. In: Musica 21 (1967 ), pp. 268-269
  • The songs of Johannes Brahms on poems by Klaus Groth. In: Annual gift of Klaus- Groth Society 16 (1972 ), pp. 23-35
  • On the question of style with Karol Szymanowski. In: New Journal of Music 133 (1972), pp. 436-438
  • "Ma Mère l' Oye " by Maurice Ravel. Five Pieces for Children. In: Music and Education 6 (1974 ), pp. 174-178
  • The Sona for Violin and Cello by Maurice Ravel. In: Music Research 28 (1975 ), pp. 408-419
  • Hindemith as a music teacher. In: Journal of Music Education 2 (1977 ) 4, pp. 49-58
  • Witold Lutosławski's Symphony No. 2. In: Music & Education 10 (1978 ), pp. 588-595
  • Paul Hindemith's admonition to the youth. In: Swiss music education music 72 (1984 ), pp. 160-162
  • Maurice Ravel: Boléro. In: Siegmund Helms, Helmuth Hopf (ed.): Plant analysis in examples. Bosse, Regensburg 1986, p 272-276
  • Frederick the Great and the music. In: History in Science and Education 40 ( 1992), pp. 351-360
  • The Symbolism facing. The compositions for orchestra by Henri Dutilleux. In: The Orchestra 45 (1997) 3, pp. 8-11
  • Language and music in the Cantata " Goethe- Briefe" by Tadeusz Baird. In: Klaus Hortschansky (ed.): Traditions - new approaches. For Anna Amalie Abert ( 1906-1996 ). Schneider, Tutzing 1997, ISBN 3-7952-0878-5, pp. 465-473
  • "I have my own hobby for the shape of the variation ." The "Variations on an Original Theme " by Johannes Brahms. In Brahms Studies 13 (2002 ), pp. 149-160

Neue Zürcher Zeitung

  • " Almost too classical". Notes for Piano Trio by Maurice Ravel. In: Neue Zürcher Zeitung, December 11th 1993
  • Brahms and the language of poetry. In: Neue Zürcher Zeitung, October 29, 1994, p 70
  • " ... By his best to give his fellow man ." The late Hindemith. In: Neue Zürcher Zeitung, November 11, 1995, p 68
  • " ... The greatest perfection of Mozart ". The significance of Mozart's creativity for Ravel. In: Neue Zürcher Zeitung, June 28, 1997, p 69
  • "... A logically necessary phenomenon ". Béla Bartók and the " atonality ". In: Neue Zürcher Zeitung, January 3, 1998, p 66
  • Mysterious poetry fascination of sound. The " Trois Poèmes de Mallarmé " by Maurice Ravel. In: Neue Zürcher Zeitung, August 5, 2000, p 69
  • A musician - friends. Johannes Brahms and Richard Mühlfeld. In: Neue Zürcher Zeitung, March 1, 2003, p 78

Discography

Heilbad Heiligenstadt Docent Wilhelm Altmann Bibliography of Music Literature Integrated Authority File
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