In the House (film)

In her house (AKA: Dans la maison ) is a French film directed by François Ozon. It is based on Juan Mayor gas play El chico de la última fila.

Action

The French teacher Germain is unhappy in his profession, and especially disappointed by the skills of his students. But when he an essay of high school student Claude gets the new school year, which reports on a stay in the house of his friend Rapha, he is thrilled with the observation of the student. He reads to his wife Jeanne, who leads an art gallery, the text that stands out from the mass of work. Germain, who would have liked to become a writer, Claude supports the relevant tests. Each new text by Claude describes more details of the life of Rapha's family and ends " to be continued " with the words.

At the beginning helps Claude Rapha only in mathematics tasks. He meets Rapha's father and mother to know and learn to appreciate a family, as he never had. Claude lives in with the family and writes about his observations. He shows strong voyeuristic traits. Germain comes in the wake of the events described and want to know the further progress. When Claude Germain one day telling you that he can not continue to give private lessons Rapha Rapha when the next test writes a very good score, Germain procured a math test of a colleague.

Claude attended Saturday when Rapha is playing basketball with his father, Rapha's mother Esther.

When Claude from Rapha Family referenced because he has penetrated too deeply into it, he visited Jeanne to find an end to his story, and he seduces her. Germain, who has now been suspended because of the incident with the math test, now also loses his wife, who leaves him.

Reviews

" Ozone keeps the many threads of his malicious psycho game firmly in hand. The reflections and perspective change between imagination and reality are also aesthetically visible. It is believed the stink of the classroom in which the teacher and his pupil breed in secretive meetings on the description of the " Rapha ", literally to smell. In contrast to the realistic gray school life is the object of her literary fantasies, Raphaël home, surrounded by a slightly hyper-real aura. Especially in Claude's perception affects the small villa in the flickering light like a dream castle. Finally Germain himself appears, visible only to the audience, in the salon and looks at Claude attempt to flirt with Esther over his shoulder. In passing, it raises troubling questions: Are novels ( and movies ) socially acceptable voyeurism? Transcends the boundaries of fiction filthy everyday life, or worse, the reality escape the frustration of an unlived life? "

"It is a mediation that is full of traps. François Ozon, who more than the most changeable is found by the comedy Potiche here once among French filmmakers creators of the present, makes from the beginning to a joke of it, Germain (perfect as a cultural philistine played by Fabrice Luchini ) presented as the Kasper, who in all these traps pats. The fact that it is we ourselves who have no means better certainties in this game with fictions, we could thereby easily overlooked. Yes, ozone puts it almost on it, only even more to lead the cinema audience astray. "

"Everything tumbles, Reliability of reality and perception is there, maybe not more important. Ozone makes it impossible even to distinguish clearly between any levels, and achieved so that only one thing is perceived as safe: the narrative. Everything has vanished into history, smirking she towers over things happened and Erdachtem and remains the last group to which it is worthwhile to cling. Ozone celebrates the telling as this huge instrument that subtly and insidiously eludes all control. "

Awards

At the 60th Festival Internacional de Cine de Donostia- San Sebastián, the film won the " Golden Shell " for the best film and the Jury Prize for Best Screenplay. On the Tromsø Internasjonale Film Festival, the jury of the International Film Club Association ( FICC ) the Don Quixote Prize awarded to the work in 2013.

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