Institute for History of Musical Reception and Interpretation

The Institute of Musical Reception and interpretation of history ( IMRI ) is a music research institute at the University Mozarteum Salzburg.

Objectives

The IMRI founded in June 2006 by Joachim Bruges, Wolfgang Gratzer and Thomas Hochradner dedicated to specific projects selected topics of reception and interpretation of music. Thus, a self- accounting university art to be worn, according to which musical practice and musicological reflection are predestined to be equally creative activities to encourage each other, to correct or confirm.

As part of a music-historical approach, acting courses, projects, lectures, symposia, and publications of the members of the Institute of exemplary or symptomatic processes of musical reception and interpretation. A focus here is on the examination of the historical impact of Wolfgang Amadeus Mozart.

The institute name to reflect a distinction between forms of musical interpretation (artistic adaptations of such performances or composing edits ) and forms of musical reception ( eg examinations of music on the part of science or the arts section ).

Institute series sound - talk

The series sound - talk appears in Rombach Verlag.

  • 2008 Mozart's last three symphonies. Stations of its history of interpretation ( sound - talk 1), ed. by Joachim Bruges, Wolfgang Gratzer and Thomas Hochradner, Freiburg / Br. Rombach
  • 2009 event sound speech. Nikolaus Harnoncourt as conductor and musical thinker ( sound - talk 3), ed. by Wolfgang Gratzer, Freiburg / Br. Rombach
  • 2010 sounds have more memory. For the musical reception of Ingeborg Bachmann's radio play The Good God of Manhattan ( sound - talk 4 ), Julia Hinterberger, Freiburg / Br. Rombach
  • 2010 Bach - Contributions to the history of reception, interpretation, history and education ( sound - talk 5), ed. by Thomas Hochradner, Ulrich Leisinger, Freiburg / Br. Rombach
  • 2011 Aspects of Haydn reception ( sound - talk 6), ed. by Joachim Bruges, Ulrich Leisinger, Freiburg / Br. Rombach
  • 2011 inventory and catalog of works. Order and count as factors of reception history ( sound - talk 7), ed. by Thomas Hochradner, Dominik Reinhardt, Freiburg / Br. Rombach
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