Karl Hubbuch

The artist was ( born November 21, 1891 in Karlsruhe, † December 26, 1979 in Karlsruhe ) was a German painter, lithographer and art professor.

Life

The artist was was the son of Karlsruhe telegraph officials. Hubbuch attended the State Academy of Fine Arts in Karlsruhe, where he became friends with Rudolf Schlichter and Georg Scholz 1908-1912. He then studied at the School of the Museum of Applied Arts in Berlin under Emil Orlik, at the same time as George Grosz there was a student.

He went in 1914 volunteered for military and served as an artilleryman until 1918. 1920 to 1922 he was a master student at Walter Conz and Ernst Wuertenberger in Karlsruhe. In 1922, he studied again at Orlik, this time at the Prussian Academy of Fine Arts in Berlin. 1924 began Hubbuch to teach lithography at the Academy in Karlsruhe, in 1928 appointed him full-time professor. 1925 to 1933 he was a professor in Karlsruhe. He made at this time every year on study trips to France. During the 20s and early 30s was to see his work in numerous exhibitions, among them 1925 " New Objectivity " in Mannheim and a joint exhibition of Otto Dix and George Grosz in the gallery Neumann renal village in Berlin. Together with his fellow artist Hermann Brand, Erwin winder and Anton Weber he gave in 1930 in Karlsruhe, the critical artist magazine Zakpo out; that there are two issues.

Between 1935 and 1945 Hubbuch accusations of degenerate art was made ​​by the Nazi regime and he was forbidden to work as an artist. From September to December 1939, he worked in the State majolica manufactory Karlsruhe and in 1940 for a year as watches painter. From 1941 to 1945 he was again employed in the Karlsruhe Majolica as a ceramic painter.

After the war, his appointment was renewed as a professor at the Academy in Karlsruhe, where he worked from 1947 to 1957. He began once more to exhibit his work (for example, in the Great Collective exhibition in Baden Kunstverein in Karlsruhe). He made trips to Holland and Italy. In 1957 he retired from his professorship, but participated in the 1960s and 1970s still active in numerous exhibitions in Europe. In 1965 he was guest of honor at the Villa Massimo in Rome.

1970 Hubbuch almost blind and manufactured until his death no further works more.

Performance

The artist was able to be probably the most likely classified as a representative of realism and the " New Objectivity ". He perfected his art neorealist less overtly political than colleagues like Grosz and Dix.

A scientific examination of the complete works began only after the death Hubbuch. In the Palace Museum Gochscheim in Kraichtal at Karlsruhe is probably the largest collection of his works. In Freiburg, the " The artist was Foundation " deals with his life's work.

The professor - Hubbuch Street in Kraichtal is named after him.

Awards

Works

  • Onion -Language - Woman with Cat (private property), oil on hardboard, 136 x 80.5 cm
  • Twice Hilde (private property), oil on canvas on wood, 150 x 77 cm
  • The Swimmer of Cologne (Mannheim, Städtische Kunsthalle ), 1923, watercolor drawing, 66.3 x 48 cm
  • Woman on the stairs (privately owned ), 1923, watercolor drawing, 52 × 42.5 cm
  • The school room (private property ), 1925, oil on hardboard, 75 x 63 cm
  • The barmaid Erna (Fischer art trade ), 1930, oil on canvas, 96.2 x 66 cm
  • The Violet Seller (private property ), 1930 /32, oil on canvas, 44 × 48 cm
  • Meersburg 1935 In: . Art collection of the Zeppelin Museum Friedrichshafen. ( Meersburg harbor with simple pier in ashlar ).
  • Marianne front of the mirror (Frankfurt am Main, Städel Museum ), 1932/33, oil on canvas, 100 x 100 cm
Emil Orlík Realist visual arts Integrated Authority File
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