Martina Pippal

Martina Pippal ( born May 11, 1957 in Vienna) is an Austrian art historian and artist.

Biography

Martina Pippal is the daughter of the painter Hans Robert Pippal (1915-1998) and the architect Eugenie Pippal - Kottnig ( 1921-1998 ).

Through its involvement in his father's studio Martina Pippal had from an early practical experience in dealing with artistic techniques and therefore opted for a degree in art history, classical archeology, history and theology at the University of Vienna ( 1975-1981 ). From 1978 to 1991 Martina Pippal was ( study ) assistant to Hermann Fillitz at the Institute of Art History, University of Vienna, where she has worked as an adjunct professor in the art of the Early and High Middle Ages and the modern and contemporary art since her habilitation in 1991.

The mid-1990s took Martina Pippal her own artistic career again.

Writings

  • With Hermann Fillitz: Treasures of Art: The goldsmiths and ivory works from Austrian treasuries of the High Middle Ages, Residenz Verlag, Salzburg 1987, Kat.nrn. 4-6, 8-13, 18-25, 40, 45, 46, 48-63, 68, 69, 77, 78, 81-99, 101, 104-114, p 407 et seq
  • The parish church of Schöngrabern. A iconological study of its apse reliefs. Series of the Commission for Art History of the Austrian Academy of Sciences - Volume 1, Hermann Fillitz (ed.), Austrian Academy of Sciences, Vienna 1991, 2nd edition 1996, ISBN 3-7001-1911-9. See: Stone Bible ( Schöngrabern )
  • The book of pericopes from St. Erentrud: theology and politics of the day, Holzhausen Verlag, Vienna 1997, ISBN 3-900518-62-9.
  • Small art history of Vienna, Verlag CH Beck, Munich 2000, ISBN 3-406-45858-0; A short History of Art in Vienna, C. H. Beck Verlag, Munich 2000.
  • Art of the Middle Ages - An Introduction: From the beginnings of Christian art until the end of the Middle Ages, UTB Böhlau, Vienna 2002, 2005, 2010, ISBN 3-205-77455-8.
  • Otmar Rychlik and Elisabeth Voggeneder: Hans Robert Pippal: between innovation and tradition, Böhlau, Vienna 2003, ISBN 3-205-77137-0.
  • Falko Daim and with Peter Bednár: The early medieval wall paintings in Moravia and Slovakia - archaeological context and production- technological analysis, collection of essays, Wagner, Innsbruck 2008, ISBN 978-3-7030-0457-5.
  • With 22 portraits of Hans Robert Pippal: How in the circus: memories of an artist's child, Violetta Ritterlingsartige Verlag, Wien 2008, ISBN 3-9502482 -0-X.
  • Movement and being moved. Painting and sculpture from 1897, in: H. Androsch (ed.): Austria. History, present, future, Brandstätter Verlag, Vienna 2010, p 251-289 (also to English. Chin and published ), ISBN 978-3-85033-300-9.
  • Soshana and Austrian Modernism - attempt at positioning, in: A. Bäumer / A. Schueller ( eds.): Soshana. Life and Work, Springer Verlag, Vienna / New York 2010, pp. 52-117, ISBN 978-3-7091-0274-9.
  • Linde Waber - artist, networker, mentor, mater familias, in: Deppe, R. et al. (Ed.): Exhibition catalog Waber retrospectively and companions. Linde consoles Schubert, Mandelbaum Verlag, Vienna 2010, pp. 6-8, ISBN 978-3-85476-332-1.
  • The cover and the painted decoration of the Sacramentary, in: The Sacramentary of Henry II - manuscript Clm 4456 the Bavarian State Library in Munich, commentary of the facsimile edition, facsimile Verlag, Gütersloh / Munich 2010, pp. 29-38 and 51-124.
  • Gustav Mahler and the visual arts - history of a relationship, in: E. Partsch et al. (Ed.): Contextualizing Mahler - Mahler in context, Böhlau Verlag, Wien 2010, pp. 257-281, ISBN 978-3-205-78496-8.

Solo Exhibitions

  • 2008: chiasm: mixed media / photography, Orangerie Altenburg
  • 2012: intensive. Flower painting, roses, Szaal Gallery, Vienna
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