Maximilian Liebenwein

Maximilian love wine ( born April 11, 1869 in Vienna, † July 17, 1926 in Munich) was an Austrian- South German painter, graphic artist and book illustrator between Impressionism and Art Nouveau.

Life

The grandfather of the painter was the personal valet of Emperor Franz Joseph, his uncle coroner and assessor in the tragedy of Mayerling. Maximilian Liebenwein visited the Vienna Schottengymnasium and 1887-1891 at the Academy, the general school of painting with Julius Victor Berger and the history specialist at Matthias von Trenkwald, then he moved to Karlsruhe to Kaspar Knights and Heinrich reins, his master pupil he was in Munich from 1895 to 1897. From 1897 he lived as an independent painter in Munich, in 1899 he moved into a tower of the castle of Burghausen / Salzach, which he endowed as a Gesamtkunstwerk. At that time he found his characteristic form of Art Nouveau.

In 1900 he was a prize winner of a competition by Ludwig Stollwerck to draft a Stollwerck scrapbook. Other winners were Fritz Helmuth Ehmcke from Berlin, Ernst Neumann of Munich, Adolf Höfer and Walter Püttner from Munich and Karl hell out of Hamburg. The judges were Professors Emil Doepler Younger, Woldemar Friedrich, Bruno Schmitz and Franz Skarbina from Berlin as well as a partner in the firm Stollwerck.

In 1900 he became a member of the Vienna Secession in 1912 as Vice President. In 1904 he joined the German Association of Artists in Weimar, 1909, the Group Luitpold in Munich. 1907/ 08 he created the " love wine Fries " Linz savings bank, in 1909 he received the Golden State Medal in Graz. At that time he moved to Vienna, where he ran until 1914 ( accessible also for women) painting school. He spent the summer but still in Burghausen, where he lived permanently from 1921. In 1910 he paid a hall of the First International Hunting Exhibition in Vienna with monumental paintings. 1915-1918 he participated as an officer in the First World War, with many drawings and 54 sketchbooks created. 1919-1925 he created a long cycle life of Mary. In 1923, he was as much as Alfred Kubin of the founding members derInnviertler Artists Guild. Love wine was almost forgotten, when he was rediscovered in 1986.

Works

  • Horsewoman, 1895 (Linz, City Museum Nordico ), oil on canvas, 75.5 x 99.5 cm
  • Percival, 1899 (private collection), Tempera on cardboard, 82.5 x 135 cm ( with original frame of the artist)
  • St. Genofefa, St. Hubert, St. Margaret, St. Martin's, 1900 (private collection, Vienna Museum, unknown ownership), Tempera on cardboard, each 60 x 75 cm
  • , Partially preserved wall painting cycle, 1899 ( Burghausen, love wine tower ) Kaseinmalerei on plaster furniture for the love wine tower, 1901 in privately owned
  • The Goose Girl, fairy tales cycle in 9 images, tempera on cardboard, each 75 x 60 cm, lost
  • St. George, a devout Maere, 1904 (private collection), tempera on paper and cardboard, each 89.5 x 69.5 cm
  • Sleeping Beauty fairy tale cycle 7 pictures, 1905, tempera on cardboard, each 75 x 110 cm, lost
  • The miracle of St. Rose. Elizabeth, 1905 (private collection), 74.5 x 59.2 cm
  • King Thrushbeard. Fairytale cycle in 7 images, 1905/ 06, tempera on cardboard, each 75 x 75 or 75 x 110 cm lost
  • The infamous pond, 1907 (private collection), 59.5 x 74.8 cm
  • Large Fries in the ballroom of Linz Savings Bank, 1907/ 08, Mixed Media, nine parts, each 94.4 x 94.5 x 174 or 217/219 or 84.5 x 283 cm
  • Giselher engagement in Bechelaren, 1909 (private collection ) 3 parts, 135 x 115 or 125 x 282 cm
  • Hunting cycle, 1910 (private collection ), 3 parts, oil on canvas, 257 x 120, 264 x 542 and 264 x 427 cm
  • Roland of label support, wall paintings in the great hall of the castle Moosham im Lungau, only get designs, tempera on paper, each 27,5 x 125 or 160.5 cm
  • Europe, 1913 (private collection ), oil tempera on canvas, 191 x 251 cm
  • Eve in Paradise, 1914 (private collection), oil on canvas, 246 x 144.5 cm
  • Life of the Virgin, twelve-panel cycle, 1925 ( Convent of the Franciscan Sisters of Vöcklabruck ), Tempera on cardboard, each 62 x 77 and 104.5 cm
  • St. Hubertus, Three Piece cycle, 1926 (private collection), Tempera on cardboard, 100 x 75 or 100 x 120 cm
  • Numerous posters, book illustrations, drawings
Burghausen, Altötting Trading card Integrated Authority File
511883
de