Ö1

Austria 1 ( OE1 ) is a European terrestrial throughout Austria as well as via satellite and shortwave and via the Internet worldwide unencrypted stream to be received radio program of the Austrian Broadcasting Corporation (ORF ). The program is based on the cultural and educational mission of the public service broadcaster and is ad-free. The programs are designed mostly in Broadcasting House Vienna. OE1 sends messages in German, English and French.

History

The beginnings

OE1 was founded in 1967 under general manager Gerd Bacher with the introduction of the structural programs OE1, Ö2 and Ö3. The transmitter should be the new home of the " educated middle class " and " arts " of Austria, as it was called in the founding charter. The main programs of OE1 were in the early years the detailed news broadcasts, the first week daily one-hour lunch Journal, which was, however, turned on the rich far stronger Ö3. 1968 was added in the Morning Journal, founded for the sake of the current coverage of the Prague Spring. These shipments were since 1924, since the establishment of RAVAG, the first modern, non-partisan news programs in Austria. The rest of the program consisted in the first years mainly of classical music, the care of ( classical ) literature and radio play and various, taken from the period before the introduction of the structural programs shows how the school radio, science programs, such as the established already in the 1950s Salzburg Night Studio. Only in the course of the 1970s came to these programs added more modern forms such as the original feature. The first such program was designed in 1972 by Richard Goll and Alfred drivers and under the title Prater. Sociology broadcast of a pleasure. The feature, which reproduced the coarse language of the people in the Vienna Prater uncommented many was regarded as incompatible with the objectives of a " culture station". 1977 was the feature on OE1 a fixed time slot in the series acoustic images. From 1975 Dieter Dorner was with the construction of the first consumer Editorial Help - entrusted the consumer magazine. During the 1980s, more and more people moved from Ö3 OE1, especially those who were responsible there for the music box with the design of the program.

Renewal

1984 anniversary year, "Sixty Years of Radio in Austria " launched the weekly, Saturday broadcast series Diagonal - Radio for contemporaries. Just for outsiders was diagonal will show the world who pointed from dusty " counselor's widow transmitter " OE1 in modern directions. In the same year the school radio through the series Radiokolleg was replaced. Which came into force on November 30, 1987 scheme reform brought for OE1 numerous innovations such as the durchmoderierten late afternoon, more service releases and new transmission lines, such as audio tracks, radio stories, terra incognita, ambience - From the art of travel, art - radio art and moment - life today. In December 1987, to 2001 by Peter Huemer supervised series began in the conversation. OE1 in the late 1980s took up also the maintenance and promotion of younger cabaret scene; directly cabaret and with the start of the live broadcast of cabaret performances in the cabaret series - through the weekly broadcast Contra. Early 1990s was the station just in front of a radical transformation. The plans of the ORF - General Management Gerd Bacher IV saw before, to make the existing culture channel a pure classical music station. But this transformation did not take place and was finally placed the end of 1991 shelved.

" New " and " old" canon

1994 composed of the Tyrolean jazz musician and composer Werner Pirchner, all shipment identifiers of OE1 completely new. Before that came a good part of OE1 - identifiers by Bert wide, such as the catchy signature tune to Axel Corti The silencer. Only the pause symbol for the station, the distinctive three -tone sequence that should be available for the three letters of ORF remained composed. In the early years of this chord is played by a harpsichord, and later by a synthesizer and date of a cello. This acoustic redesign, which was accompanied by a then unusual advertising campaign, which is one part of the report prepared by Wolf Haas slogan still used today OE1 sat with associated lavishly produced TV spots in the scene, was part of a slow repositioning of the ORF- chains before the start of commercial radio stations in 1998. The previously handled as " elitist " Classic with her seemingly strictly defined, almost genre -like cannon was placed in relation to other types of music. Examples of these efforts, the transmission lines pastiche, game rooms, meeting classical or recent OE1 or two. With the end of the "old Ö3 " - embodied by the move of the Ö3 Studios from the earlier many as " Dollfußbunker " appearing broadcasting center in the Argentine road to Vienna - Heiligenstadt 1996 - were editors such as Wolfgang Kos, Wolfgang Schlag and others from out of the history of popular music, "old" canon of classical music be compared with the one "new" canon of pop music, ranging from Randy Newman and David Bowie to Björk and Thom Yorke.

Current

During the period of two out of the People's Party federal governments in the years 2000 to 2007, the very critical reporting of the OE1 information was objected several times from the leaders - notably 's then Finance Minister Karl- Heinz Grasser broke in 2004 " to critical " Interview with Harald Waiglein from. For further displeasure attended some issues of the magazine Journal Panorama. However, interventions such as in the television news programs were carried out.

On January 4, 2010, occurred OE1 a new weekly broadcast schedule in force. The most important innovation is the Da Capo rail with repetitions of the preceding week by 16 clock: So on Monday will feature broadcast auditory images, on Tuesday the travel magazine ambience, on Wednesday the nonfiction magazine context, on Thursday the literary magazine soundtracks and on Friday the interview broadcast Speaking repeated. The everyday observations moment - life today back from the previous deadline of 17 clock 10 prior to the early afternoon, immediately after the call broadcast from day to day.

Content

The program of OE1 consists of music of all categories, news programs ( several detailed journals daily) as well as verbal contributions and educational programs (the " Radio Group" ), radio plays, cabaret shows, etc. The range of OE1 is loud radio test at 650,000 listeners daily, or nine percent, its market share of five percent. This unusually large difference arises from the fact that many listeners switch on only the newscasts of OE1 - so they are already caught up in the audience measurement as a listener, the market share of the transmitter is however also calculated after listening time - and therefore is OE1 correspondingly lower.

A modified version of the program is also broadcast on several frequencies of Radio Austria International ( ROI), the former international broadcaster ORF, on shortwave radio as OE1 International worldwide. In addition, it is transmitted as web radio over the Internet via streaming as. Wma stream. On the homepage of the station, all shipments can be reheared free within a week. In addition, many programs can be downloaded from the OE1 website for a fee. Since the beginning of April 2007 provides OE1 also the ability to download selected programs as podcasts.

OE1 operates RadioKulturhaus in Vienna with a variety of cultural events and the Cultural Cafe ( a cafe up there), each year is represented by its own stage at the Danube Island Festival and organizes the Festival Glatt & inverted with. In addition, organized OE1 cultural cruises, the " OE1 Summer Academy ", declare it the " OE1 wine " and offers " OE1 graphics " on.

Shipments

• Atmosphere - The art of travel
• Contra - cabaret
• Gugelhupf
• Diagonal - Radio for contemporaries
• O gracious Art
• Fulfilled time
• Gehört.gewusst The OE1 Culture Quiz
• Help - The consumer magazine, weekly Vebraucherschutzsendung
• Acoustic images (features)
• Classic meeting
• Art - radio art
• Matrix - computer & new media
• People pictures
• Mittagsjournal
• Morning Journal
• Pastiche
• Rudi! Radio for children
• Travels
• Travels Special
• Soundtracks
• Zeit-Ton

Employee

• Paul Angerer
• Ursula Baatz
• Philipp Blom
• Otto Brusatti
• Dorothee Frank
• Martin Haidinger
• Albert Hosp
• Peter Huemer
• Heinz Janisch
• Mirjam Jessa
• Manfred Jochum
• Günter Kaindlstorfer
• Johannes Kaup
• Hugo Kirnbauer
• Peter Klein
• Alfred Koch
• Peter Lachnit
• Hans Langsteiner
• Werner Löw
• Roland Machatschke
• John Leopold Mayer
• Rudolf Nagiller
• Volkmar Parschalk
• Rainer Rosenberg
• Michael scrap
• Irene Suchy
• Bernhard Trebuch
• Alfred drivers
• Robert Weichinger
• Agathe Zupan
• Ina Zwerger