Return of Sabata
- Lee Van Cleef: Sabata
- Reiner Schöne: Clyde
- Giampiero Albertini: Joe McIntock
- Ignazio Spalla: Bronco (as Pedro Sanchez )
- Annabella Incontrera: Maggie
- Jacqueline Alexandre: Jackie McIntock
- Aldo Canti: Angel (as Nick Jordan )
- Vassili Karis: Bionda (as Vassili Karis )
- John Bartha: Sheriff (as Janos Bartha )
- Steffen Zacharias: Donovan
Sabata returns ( original title: È tornato Sabata ... hai chiuso Un'altra volta ) is a spaghetti western directed by Gianfranco Parolini from 1971 It is the third film of the Sabata trilogy.. German premiere was on May 28, 1972.
Action
The former Confederate officer Sabata traveling with a traveling circus, where he appears as a trick sniper. He arrives in the city Hobsonville on his former subordinates Clyde, who owes him $ 5,000. Clyde operates a casino and can pay the money immediately. But when it is Sabata stolen again, he decides to stay in town. He learns that the landowners McIntock one rubs taxes for all shops and entertainment with Clyde decides to steal the hoarded revenues. Here, the circus employees Bronco and the artists Angel and Bionda him stand to the side, which have also remained in the city. When breaking into the bank, they are betrayed by Clyde, who tried to escape with the money alone. At the bank, but there was only counterfeit money, the real money had McIntock and the priest exchanged for gold, minted coins from it and hid them. McIntock and his daughter will come because of another trial Clyde, alone at the gold, shot by the priest, who now knows the only the hiding place. To find the hiding from him, deceiving Sabata before to have been shot by him.
Criticism
The lexicon of the International film writes about the film: " A moderate by the kinky action parody of spaghetti westerns. " The film magazine Cinema verdict: " spaghetti westerns, not al dente ". The authors Harry Medved and Randy Dreyfuss arranged the movie in her 1984 book The fifty worst films of all time at number 34 of the worst films.
The Italian critics were cautious in attempting to enforce the conventional story with satirical and grotesque, but sometimes only foolish moments, as the pitch of the film and the rhythm vacillate greatly.