Sant Dnyaneshwar (film)
- Madhukar: Nivritti ( young)
- Pandit: Nivritti ( old)
- Yashwant: Dnyandev / Dnyaneshwar ( young)
- Shahu Modak: Dnyandev / Dnyaneshwar ( old)
- Govind: Sopal ( young)
- Datta Dharmadhikari: Sopal ( old)
- Sumitra: Muktabai ( young)
- Malati: Muktabai ( old)
- Tamhankar: Vitthalpant
- Shanta Majumdar: Rukminibai
- Manju: Nimu / Narmada ( young)
- Sumati Gupte: Nimu / Narmada ( old)
- Bhagwat: Visoba Chati
- Mundarabai: Visobas woman
- Shankar Kulkarni: Gangadhar
- Vasant Thengadi: Vidyadhar
- Ganpatrao: Changadev
- Vasant Desai: Gadiwan
Sant Dnyaneshwar ( Marathi: संत ज्ञानेश्वर, Sant Jñāneśvar ) is an Indian film saints of Vishnupant Govind Damle and Sheikh Fattelal from 1940 The biopic deals with the Hindu poet Dnyaneshwar ( 1275-1296 ). .
Action
The young Dnyandev begging with religious songs in place Alandi for alms, as his father Vitthalpant was expelled along with his wife and four children Rukminibai Nivritti, Dnyandev, Sopal and Muktabai from the Community. This was after an argument with his wife sannyasin, returned to her but contrary to the religious commandment back again and again lived with her. The family is especially shunned by the men of the place, but the girl Nimu - daughter of the influential Brahmins Visoba - has a heart for Dnyandev.
When the humiliation of the family are unbearable Vitthalpant asks the priest Gangadhar to question the religious scriptures for a way his religious purification. But neither Yajnavalkya still in the Dharmashastras there is a solution. Vitthalpant thrilled his sons Nivritti and Dnyandev nor teach the ideas of the poor, the Bhagavad Gita in Marathi and in the following night, the husband and wife drown out resignation.
Nimu tries again the priest Gangadhar to the rehabilitation of orphans. But it works only with a letter of reference refer to the Guru Vidyadhar in Paithan as next higher religious authority. Even the scholars find any solution for the case of the four children in the scriptures, to praise other than the Council god Krishna. Dnyandev challenges the scholars by providing their decision according to the scriptures in question, but if it is nothing more than a fallen children of the religious ascetic rules. The assertion of the precocious boy that God rests in every soul and all souls are one, he shall thereby prove that he brings a buffalo to talk. The miracle succeed Dnyandev, the buffalo speaks the mantra begun by him to the end. The convinced Vidyadhar confirmed the children then their purity.
The Brahmins of Alandi, however, can not be impressed by the writing and deny children the recovery in the community. Nivritti proposes to have come through the preaching of the teachings of the Gita to them, the people and not to be longer sad. In a village Dnyandev freed the inhabitants of their superstition about a possessed by spirits water source and wins with god award- end songs first trailer.
The scene switches to the singing of the adult Dyandev with Nivritti brother and sister Muktabai. Visoba wants his daughter Nimu marry, but their affection for Dyandev thwarted the plan. Dnyaneshwar is now venerated as a saint in Alandi, Gangadhar has become his followers. The last seven Brahmins Visoba to resist the mass phenomenon Dyaneshwars and ask the Sadhu Changdev with its hundreds of thousands of supporters of the corruption of religion by Dnyaneshwar finish. They have a row of fans of both sides, wants to end the Dnyaneshwar through self-sacrifice.
Changdevs curiosity is kindled by the tales of miracles Dnyaneshwars. He wants to meet with him and riding on his Tiger to Alandi. Dnyaneshwar and his siblings come to meet him flown on a wall. Changdev admits defeat and is Trailer Dnyaneshwars. Last are Visoba his opposition to Dnyaneshwar. This has fulfilled its mission and can be buried alive in Samadhi at Alandi.
Background
With Sant Dnyaneshwar, the success of Sant Tukaram (1936 ) with a larger budget and larger background should be repeated. The poet Dnyaneshwar offered for this endeavor in particular. The first of the hallowed, classic Marathi poet, he wrote a commentary on the Bhagavad Gita, the Dnyaneshwari in Ovi - verse rhythm and using the vernacular. Even more than Tukaram or Eknath Dnyaneshwar is associated with the accomplishment of miracles and his exploits in connection mediates in the kirtan form of religious narrative.
Sant Dnyaneshwar and was a rotated version of the film in a version in Marathi in Hindi. Raja Nene was here assistant director of Damle and Fattelal. The lyrics to the music of Keshavrao Bhole wrote Shantaram Athavale in the Marathi version of the film; in the Hindi version it comes from PL Santoshi and Mukhram Sharma, Ashant '. Vasant Desai is present as a performer and as a playback singer in the film. The film has nine songs Bagha Mangal Din Aala, Maata Pita Bandhu, Aamhi Daivache Daivache, Ek Tatva Naam Aala Re Anand Jhala Re, Charan Sharan Deva, Anand Anand Awagha, Sadhu Bodh Jhala and Soniyacha Diwas.
Criticism
Crowd scenes, elaborate sets and complicated Wonder scenes show the spectacular ambitions of the film. As in the previous Holy film directors, Sant Sakhu (1941 ) find these efforts reflected in an effective mise- en- scène. The plot develops in head shots around a fixed point of the position of the divine, which is taken more and more of Dnyaneshwar with the progress of the film.