Tobias G. Natter

Tobias G. Natter ( born May 26, 1961 in Dornbirn) is an Austrian art historian and expert on the art of " Vienna around 1900".

Life

Natter studied at the Universities of Innsbruck, Munich and Vienna, and his doctorate in 1988 for Dr. phil. Natter worked at the Historical Museum of the City of Vienna, then fifteen years at the Austrian Gallery Belvedere, most recently as chief curator. For the 1990 re-established Jewish Museum Vienna snake was often worked as a consultant and guest curator. In 2001, he realized at the invitation of the newly founded Neue Galerie New York, the first temporary exhibition on Oskar Kokoschka. 2006-2011 headed snake in the Vorarlberg Bregenz Museum and had the following to October 29, 2013 held the position of museological Director of the Leopold Museum. Natter justified his resignation with the double position of Commercial Director Peter Weinhäupl at the Gustav Klimt Vienna newly established private foundation in 1900 as Chairman of the Board and the related falling out with the Foundation Board of the Leopold Museum.

As an internationally sought-after curator snake in Europe, the USA and Japan, most recently as co-curator at the Musée d' Orsay, Paris, for the success of the exhibition Masculin / Masculin.

Writings (selection )

  • With Franz Smola (ed.): Kokoschka. The ego at the focal point. Christian Brandstätter Verlag, Wien, 2013, ISBN 978-3-85033-785-4.
  • (Ed.): Gustav Klimt. The collection of the Leopold Museum. Hatje Cantz, Ostfildern 2013, ISBN 978-3-7757-3744-9.
  • With Franz Smola: clouds. World of fugitives. Hatje Cantz, Ostfildern, 2013, ISBN 978-3-9503018-4-7.
  • (Ed.): Gustav Klimt: All paintings. Bags, Cologne 2012, ISBN 978-3-8365-2794-1.
  • With Franz Smola, Peter Weinhäupl (ed.): Klimt personally. Images - Letters - Insights. Christian Brandstätter Verlag, Wien 2012, ISBN 978-3-85033-628-4.
  • With Elisabeth Leopold (ed.): naked men. from 1800 to the present. Hirmer Verlag, Munich 2012, ISBN 978-3-7774-5721-5.
  • Michael Fehr, Bettina Habsburg- Lorraine: The depot. Between open magazine and staging. transcript Verlag, Bielefeld 2010, ISBN 978-3-8376-1616-3.
  • (Ed.): Snow. Raw material of art. Hatje Cantz, Ostfildern 2009, ISBN 978-3-7757-2430-2.
  • Gustav Klimt and The Dialogues of the Heterae. Erotic Boundaries in Vienna Around 1900, In: . Renée Price (ed.): Gustav Klimt. The Ronald S. Lauder and Serge Sabarsky Collections. Catalog for the eponymous exhibition of the Neue Galerie New York. Prestel, Munich, inter alia, 2007, ISBN 978-3-7913-3834-7.
  • (Ed.): Angelika Kaufmann. A woman of immense talent. Catalog for the exhibition of the same of the Vorarlberg State Museum. Hatje Cantz, Ostfildern 2007, ISBN 978-3-901802-28-7.
  • Thomas Trummer: The Round Table. Egon Schiele and his circle. Catalog for the eponymous exhibition of the Austrian Gallery Belvedere. DuMont, Cologne 2006, ISBN 3-8321-7700-0.
  • Thomas Trummer: by Schiele. In: Tobias G. Natter, Thomas Trummer (ed.): according to Schiele. Catalog for the eponymous exhibition of the Austrian Gallery Belvedere. DuMont, Cologne 2006, ISBN 3-8321-7722-1.
  • With Max Hollein (eds.): The Ugly Truth. Klimt, Schiele, Kokoschka and other scandals. Catalog for the eponymous exhibition at the Schirn Kunsthalle and the Leopold Museum, Vienna. Prestel, Munich, inter alia, 2005, ISBN 3-7913-3284-8.
  • Egon Schiele and the Neulengbach Affair. In: Renée Price (ed.): Egon Schiele. The Ronald S. Lauder and Serge Sabarsky Collection. Catalog for the eponymous exhibition of the Neue Galerie New York. Prestel, Munich, inter alia, 2005, ISBN 3-7913-3390-9.
  • With Ursula Storch (ed.): Schiele & Roessler. The artist and his patron. Arts and networking in the early 20th century. Catalog for the exhibition at the Wien Museum. Hatje Cantz, Ostfildern 2004, ISBN 3-7757-1479-0.
  • The world of Klimt, Schiele and Kokoschka. Collectors and patrons. DuMont, Cologne 2003, ISBN 3-8321-7258-0.
  • Inter alia, (Ed.): Gustav Klimt and the image of women in Vienna in 1900, catalog for exhibition of the same of the Hyogo Prefectural Museum of Art Kobe 2003.
  • (Ed.): Oskar Kokoschka. The Modern Portrait 1909-1914. Catalog for the eponymous exhibition of the Neue Galerie New York, and Hamburger Kunsthalle. DuMont, Cologne 2001, ISBN 3-8321-7182-7.
  • With Gerbert Frodl (ed.): Klimt and the women. Catalog for the eponymous exhibition of the Austrian Gallery Belvedere. DuMont, Cologne 2000, ISBN 3-7701-5370-7.
  • (Ed.): Chaim Soutine. A French Expressionist. Catalog for the eponymous exhibition at the Jewish Museum of Vienna. Jewish Museum of Vienna, Vienna 2000, ISBN 3-901398-12-0.
  • Julius H. Schoeps (ed.): Max Liebermann and the French Impressionists, catalog for the same exhibition of the Jewish Museum Vienna. DuMont, Cologne, 1997, ISBN 3-7701-4294-2.
  • Kokoschka and Vienna. Publication accompanying the exhibition " Kokoschka and Dresden " Österreichische Galerie Belvedere. Österreichische Galerie Belvedere, Vienna 1996, ISBN 3-85202-131-6.
  • Risers. Austrian painting and sculpture of the 50s. Catalog for the eponymous exhibition of the Austrian Gallery Belvedere, Österreichische Galerie Belvedere, Vienna 1994, ISBN 3-901508-00-7.
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