Anselm Haverkamp

Anselm Haverkamp ( born July 18, 1943) is a German -American General Literary scientist and philosopher of the Constance school.

Biography

Haverkamp went after his habilitation in 1984 from Konstanz to Yale and forwards since 1989 at New York University as a professor of English the Poetics Institute. After 1994 Haverkamp participated as a founding professor of Literature at the structure of the European University Viadrina in Frankfurt ( Oder), where he established the Heinrich-von -Kleist Institute for literature and politics. Since 2009 he has also held an honorary professorship of philosophy at the University of Munich and managed since April 2013, the Chair of Rhetoric at the University of Lüneburg.

Haverkamp was a member of poetics and hermeneutics, whose symposia volumes XIII and XV it with published since 1979. He developed the reception aesthetics of Constance School (Wolfgang Iser, Hans Robert Jauss, Wolfgang PREISENDANZ ) under the impact of the Yale School of Deconstruction (Paul de Man, Jacques Derrida) further to a latency theory of literature.

Relevant sections of Haverkamp latency theory, the theory of metaphor following the metaphorology the philosopher Hans Blumenberg, and the history of science of rhetoric and of the relationship between philosophy and literature. Significant historical reference variables are the poetics of Aristotle, Quintilian rhetoric and aesthetics of Alexander Gottlieb Baumgarten. Newer stimulators are Walter Benjamin and Jacques Derrida, Hans Blumenberg, and Stanley Cavell; as theoretically relevant literary authors applies Haverkamp continuous attention Ovid, Dante, and Shakespeare, Keats, Holderlin and Joyce. Haverkamp has its latency theory is now extended to the field of historical epistemology, art theory and the theory of law and is a regular contributor and staff of the magazine " Texte zur Kunst " (Berlin) and "Law and Literature " (Berkeley ).

Research priorities

Publications (selection )

  • Theory of metaphor ( = avenues of research. Vol. 389). University Press, Darmstadt 1983, ISBN 3-534-07832-2 ( Studienausgabe. 2 to an afterword to the new edition and a bibliographical supplement enlarged edition. Ibid. 1996, ISBN 3-534-13152-5 ).
  • Manfred Frank: Individuality ( = poetics and hermeneutics Vol 13. ). Fink, Munich 1988, ISBN 3-7705-2473- X.
  • With Renate Lachmann: Memoria. Forgetting and remembering ( = poetics and hermeneutics. Vol. 15). Fink, Munich 1993, ISBN 3-7705-2736-4.
  • Violence and justice. Derrida - Benjamin ( = Edition Suhrkamp 1706 NF = 706). Suhrkamp, Frankfurt am Main 1994, ISBN 3-518-11706-8.
  • The language of others. Translation policy between cultures ( Fischer = 12783 ). Fischer -Taschenbuch -Verlag, Frankfurt am Main 1997, ISBN 3-596-12783-1.
  • The paradoxical metaphor ( = Edition Suhrkamp 1940 NF = 940). Suhrkamp, Frankfurt am Main 1998, ISBN 3-518-11940-0.
  • Hans Blumenberg: Aesthetic and metaphorologische fonts ( = Suhrkamp Taschenbuch Science 1513). Selection and afterword by Anselm Haverkamp. Suhrkamp, Frankfurt am Main 2001, ISBN 3-931659-61-5.
  • Walter Benjamin after the Twentieth Century. The Future of a Past ( = Cardozo Law Review. Vol. 26, No. 3, ISSN 0270-5192 ). Cardozo Law School, New York NY, 2005.
  • Symposium: Derrida / America, The present state of America 's Europe. ( = Cardozo Law Review. Vol. 27, No. 2). Cardozo Law School, New York NY, 2005.
  • Hans Blumenberg: Theory of Unbegrifflichkeit. Published posthumously by Anselm Haverkamp. Suhrkamp, Frankfurt am Main 2007, ISBN 978-3-518-58480-4.
  • Hans Blumenberg: Paradigms for a metaphorology ( = Suhrkamp Study Library Vol 10. ). Posted by Anselm Haverkamp. Assisted by Dirk Mende and Mariele Nientied. Suhrkamp, Frankfurt am Main, 2013, ISBN 978-3-518-27010-3.
  • Rüdiger Campe and Christoph Menke: Baumgarten studies. On the Genealogy of aesthetics. August Verlag, Cologne 2014, ISBN 978-3-941360-38-9.
  • Typicality and politics in Annolied. For " conflict of interpretations " in the Middle Ages. Metzler, Stuttgart 1979, ISBN 3-476-00420-1.
  • Leaves full of sorrow. Hölderlin's late allegory. Fink, Munich 1991, ISBN 3-7705-2675-9.
  • Hamlet, mortgage of power ( = copyright. Vol. 3). Culture Kadmos, Berlin 2001, ISBN 3-931659-30-5 ( second, expanded edition. Ibid. 2004, ISBN 3-931659-42-9 ).
  • Figura cryptica. Theory of literary latency ( = Suhrkamp Taschenbuch Science 1574 ). Suhrkamp, ​​Frankfurt am Main 2002, ISBN 3-518-29174-2.
  • Latency. Knowledge in the post-war period. Culture Kadmos, Berlin 2004, ISBN 3-931659-61-5.
  • Metaphor. The aesthetics in rhetoric. Balance of an exemplary concept. Fink, Munich 2007, ISBN 978-3-7705-3751-8.
  • On this side of the Oder. Frankfurt Lectures. Culture Kadmos, Berlin 2008, ISBN 978-3-86599-055-6.
  • Comprehension in the image. Methodological approaches to the timeliness of the art ( = Small Edition. Vol. 1). August- Verlag, Berlin 2009, ISBN 978-3-941360-02-0.
  • Shakespearean Genealogies of Power. A whispering of nothing in Hamlet, Richard II, Julius Caesar, Macbeth, The merchant of Venice, and The winter 's tale. Routledge, London ua 2011, ISBN 978-0-415-59344-1.
  • The ambiguity of art. On the historical epistemology of images ( = Small Edition. Vol. 10). August- Verlag, Berlin 2012, ISBN 978-3-941360-23-5.
68278
de