B-Side Ourselves

Occupation

• Vocals: Sebastian Bach
• Guitar: Dave Sabo
• Guitar: Scotti Hill
• Bass: Rachel Bolan
• Drums: Rob Affuso

B-Side Ourselves is the title of a 1992 EP released by the U.S. hard rock band Skid Row. It contains five songs that are exclusively cover versions of songs by other artists.

Background

The securities included five were songs from bands that had influenced the artistic career of Skid Row members. These included The Ramones, Kiss, Judas Priest, Rush and Jimi Hendrix. B -Sides Ourselves should only be a stopgap between Slave to the Grind and the next studio album the group will be required at the end of Skid Row but three years to complete the album Subhuman Race and publish original.

Title list

Reception

Thomas wrote Copper for Rock Hard, You could stand to Skid Row as they wanted - on the tour with the L A. Guns have " the guys around frontman Sebastian Bach the reviews invalidated all those " that the quintet " since the beginning of his career a attach Teen Status " wanted. The group was then swirled " with a dermaßenen Power by Germany concert Hollen " that it was "a real pleasure ", and " not a few of the best power metal band since Vicious Rumors " have spoken. The " mentioned at Live Power" had Skid Row " still a lot more convincing " banned than their album " Monkey Business " on vinyl. They sprayed " an extreme joy " and managed to "old classics like ' Psycho Therapy ' ( Romones ), 'Little Wing' ( Jimi Hendrix ), ' C'mon And Love Me' ( Kiss) and ' What You're Doing ' ( Rush ) seem to have plenty of contemporary ". " In addition, interesting," this disc would have sung " by Judas Priest - standard ' Delivering The Gods ', the Mr.Bach and Mr.Halford during a show in Phoenix / Arizono live in a duet ."

Stephen Thomas Erlewine wrote for Allmusic, B -Sides Ourselves had been " not a bad way to go out of the spotlight out. " It is a collection of five cover versions that " the best music " included the " Skid Row ever recorded " would have, simply because they are " full of energy and rough " was so. Skid Row put a " breakneck pace " and would "create malicious Rock & Roll, " which was more alive than their previous two albums. It was the band managed to protect this power and to take in the production of their next studio album ( Subhuman Race ).