Carl Dahlhaus

Carl Dahlhaus ( born June 10, 1928 in Hannover, † March 13, 1989 in Berlin) was a German musicologist.

Life

He studied law, then musicology at the Universities of Göttingen and Freiburg im Breisgau. In Göttingen, he in 1953 received his doctorate with a thesis on the measurement of Josquin des Prés. After working as a dramaturge from 1950 to 1958 at the Deutsches Theater Göttingen and from 1960 to 1962 as editor of the Stuttgarter Zeitung, he turned to the research. From 1962 to 1966 he was clerk for musical State Research at the University of Kiel. There he habilitated with investigations on the origin of harmonic tonality. He had since 1967 held a chair in music history at the Technical University of Berlin.

His main areas of work were in addition to the musical history of the 19th and 20th century music aesthetics and music theory. He was the author and editor of numerous, mostly encyclopedic writings, the New Handbook of Musicology and Director of Edition Richard Wagner Complete Edition, and co-editor of Piper's encyclopedia of musical theater.

Carl Dahlhaus 1985 was honored with the Grand Cross of Merit with Star of the Federal Republic of Germany. He was a member of the Order Pour le Mérite for Arts and Sciences and the German Academy for Language and Literature. In 1987 he received the Frankfurt Music Prize.

Writings

  • Carl Dahlhaus: Collected Writings. Edited by Hermann Danuser in conjunction with Hans -Joachim Hinrichsen and Tobias Plebuch. 11 volumes. Laaber -Verlag, Laaber 2000-2007, ISBN 3-89007-235-6.
  • Studies on the measuring Josquin des Prés. Göttingen 1953 ( Göttingen, Univ., Dissertation v. April 22, 1953 ).
  • Johannes Brahms, Piano Concerto No. 1 in D minor, Op 15 ( = musical masterpieces. H. 3, ZDB - ID 1083258-0 ). Fink, Munich 1965.
  • Studies on the origin of harmonic tonality. Kiel 1966 ( Kiel Univ., Habil - Schr. , 1966).
  • Aesthetics of music ( music = Pocket Books. Theoretica. Vol. 8 = Music paperbacks 255, ZDB - ID 526251-3 ). Gering, Cologne 1967.
  • Arnold Schoenberg, Variations for Orchestra, op 31 ( = musical masterpieces. H. 7). Fink, Munich 1968.
  • Analysis and value judgment ( = music education. Vol. 8 = Edition Schott 6371 ). Schott, Mainz, 1970, ISBN 3-7957-1707-8.
  • Richard Wagner's music dramas. Friedrich, Velber 1971.
  • Wagner's aesthetics. Edition Musica, Bayreuth 1971.
  • Wagner's conception of the musical drama ( = Association 100 years Bayreuth Festival. Vol. 5). Bosse, Regensburg 1971, ISBN 3-7649-2061-0.
  • With Lars Ulrich Abraham: Melody Teaching (. . = Music Pocket Books Theoretica Vol 13 = Music paperbacks 256). Gerig, Cologne 1972.
  • Between Romanticism and Modernism. 4 Studies in the musical history of the late 19th century ( = Berlin musicological work. Vol. 7). Katzbichler, Munich 1974, ISBN 3-87397-037-6.
  • With Ernst apple: Studies on the theory and history of musical rhythm and meter ( = Music science Vol 1. ). 2 vols. Katzbichler, Munich 1974, ISBN 3-87397-100-3.
  • Foundations of Music History ( = Music Tote books. Theoretica. Vol. 15 = Music paperbacks 268). Gerig, Cologne 1977, ISBN 3-87252-101-2.
  • The idea of absolute music. Barenreiter, Kassel, inter alia, 1978, ISBN 3-7618-0599-3.
  • Ludwig van Beethoven Fourth Symphony in B flat major ( = musical masterpieces. Vol. 20). Fink, Munich 1979, ISBN 3-7705-1740-4 ( ISBN formally wrong ).
  • The music of the 19th century ( = New Handbook of musicology. Vol. 6). Athenaion among others, Wiesbaden, inter alia, 1980, ISBN 3-7997-0748-4.
  • Musical realism. To the music history of the 19th century ( = series Piper 239). Piper, Munich 1982, ISBN 3-492-00539- X.
  • The theory of music in the 18th and 19th centuries ( = History of Music Theory. Vol. 10-11 ). 2 vols. University Press, Darmstadt 1984-1989.
  • Death with John Ridge: The New Grove Wagner. Macmillan, London et al 1984, ISBN 0-333-36065-6.
  • Michael Zimmermann: Music, aired. Music Aesthetic texts from three centuries ( = dtv dtv 4421 Bears tab). German Taschenbuch -Verlag, inter alia, Munich 1984, ISBN 3-7618-4421-2.
  • Hans Heinrich Eggebrecht with: What is music? ( = Paperbacks on musicology. Vol. 100). Heinrichshofen, Wilhelmshaven, 1985, ISBN 3-7959-0465- X.
  • Ludwig van Beethoven and his time. Laaber -Verlag, Laaber, 1987, ISBN 3-921518-87-3.
  • With Norbert Miller: European Romanticism in music. 2 vols. Metzler, Stuttgart 1999-2008, ISBN 3-476-01982-9 ( posthumously ).

Anthologies

  • Schoenberg and others. Collected Essays on New Music. Schott, Mainz et al 1978.
  • From music drama to opera literature. Essays on the recent history of opera. Katzbichler, Munich, etc. 1983, ISBN 3-87397-090-2.
  • Classical and Romantic music aesthetics. Laaber -Verlag, Laaber 1988, ISBN 3-89007-142-2.

Papers (selection)

  • Harmony; Counterpoint; melody; Musical aesthetics; Rhythmic - metric; Sound system. All in: Rudolf Stephan (ed.): Music ( = The Fischer- Lexikon ( Encyclopedia of Knowledge ) Vol 5. . ). Fischer -Taschenbuch -Verlag, Frankfurt am Main 1957.
  • Notation today. In: Ernst, Thomas (ed.): new music notation ( = Darmstadt contributions to new music vol 9, ISSN 0418-3878. ). Schott 's Söhne, among other things, inter alia, Mainz 1965, p 9-34.
  • Principles of form in Wagner's " Ring des Nibelungen". In: Heinz Becker ( ed.): Contributions to the History of the Opera ( = Studies in Music History of the 19th Century Vol 15, ISSN 0081-7341. ). Bosse, Regensburg 1969, pp. 95-129.
  • Historical and aesthetic experience. In: Walter Wiora (ed.): The spread of historicism about the music ( = Studies in Music History of the 19th Century Vol 14. ). Bosse, Regensburg 1969, pp. 243-247.
  • Classicism, romanticism, modernity: the philosophy of the music history of the 19th century. In: Walter Wiora (ed.): The spread of historicism about the music ( = Studies in Music History of the 19th Century Vol 14. ). Bosse, Regensburg 1969, pp. 261-276.
  • Wagner and the Music Program. In: Studies in Romanticism. Vol 9, 1970, ISSN 0039-3762, pp. 3-20.
  • Aesthetic problems of electronic music. In: Fritz Winckel (ed.): Experimental Music. Space - music, visual music, media music, word - music, electronic music, computer music ( = series of the Academy of Arts. Vol. 7, ISSN 0587-4610 ). Man, Berlin, 1970, pp. 81-90.
  • If the twelve-tone technique illusory? A Dublik. In: The music research. Vol 25, 1972, ISSN 0027-4801, pp. 68-73.
  • For a critique of aesthetic judgment. In: The music research. Vol 23, 1970, pp. 411-419.
  • Adorno's concept of musical material. In: Hans Heinrich Eggebrecht (ed. ): On the terminology of 20th century music ( = Publications of the Walcker Foundation H. 5, ZDB - ID 401 389 -x. ). Musicological Publishing Company, Stuttgart 1974, p 9-17.
  • Romantic aesthetics of music and Viennese Classicism. In: Archives of Musicology. Vol 29, H. 3, 1972, ISSN 0003-9292, pp. 167-181.
  • Political and aesthetic criteria of composition criticism. In: Darmstadt contributions to new music. Vol 17, 1973, p 14-27.
  • Tradition decay in the 19th and 20th centuries. In: Hans Heinrich Eggebrecht, Max Lütolf (ed.): Studies on the tradition in music. Kurt von Fischer on his 60th birthday. Katzbichler, Munich 1973, ISBN 3-87397-035- X, pp. 177-190.
  • On the problem of musical genres in the 19th century. In: Wulf Arlt et al ( eds ): genres of music in individual representations. Gedenkschrift Leo Schrade. Sequence 1 Francke, Bern, inter alia, 1973, ISBN 3-7720-0356-7, pp. 840-895.
  • Liszt's " Mountain Symphony" and the idea of ​​the symphonic poem. In: Yearbook of the State Institute for Music Research, Prussian Cultural Heritage. 1975, ISSN 0572-6239, pp. 96-130.
  • What's improvisation? In: Reinhold Brinkmann (ed.): improvisation and new music. 8 Congress units ( = Publications of the Institute for New Music and Music Education, Darmstadt. Vol. 20). Schott, Mainz, inter alia, 1979, ISBN 3-7957-1760-4, pp. 9-23.
  • Music and Art Nouveau. In: Jürg Stenzl (ed.): Art Nouveau, Art Nouveau, and music. Published on the occasion of the 80th birthday of Willi Schuh. Atlantis, Zurich 1980, ISBN 3-7611-0604-1, pp. 73-88.
  • Why is new music so difficult to understand? Plea for a historical understanding. In: Heinz Maier- Leibnitz ( ed.): Witnesses of knowledge. von Hase and Koehler, Mainz, 1986, ISBN 3-7758-1111-7, pp. 939-956.

Editorship

  • Johann Theile: Musical Art Book ( = Monuments North German Music Vol 1, ZDB - ID 540648-1. ). Barenreiter, Kassel et al 1965.
  • Studies on the trivial music of the 19th century. = For Trivial studies music in the 19th century ( = Studies in Music History of the 19th century. Vol. 8, ISSN 0081-7341 ). Bosse, Regensburg 1967.
  • The drama of Richard Wagner as a musical work of art ( = Studies in Music History of the 19th century. Vol. 23). Bosse, Regensburg 1970.
  • Richard Wagner: Piano Works ( Complete Works Vol = 19. ). Schott, Mainz et al 1970.
  • Introduction to systematic musicology ( music = Pocket Books. Vol. 10, ZDB - ID 526251-3 ). Gerig Musikverlag, Cologne 1971.
  • Richard Wagner. Work and impact ( = Studies in Music History of the 19th century. Vol. 26). Bosse, Regensburg 1971, ISBN 3-7649-2055-6.
  • Riemann music lexicon: Persons part. Mainz from 1972 to 1975.
  • The problem Mendelssohn ( = Studies in Music History of the 19th century. Vol. 41). Bosse, Regensburg 1974, ISBN 3-7649-2093-9.
  • Contributions to the musical hermeneutics ( = Studies in Music History of the 19th century. Vol. 43). Bosse, Regensburg, 1975, ISBN 3-7649-2102-1.
  • Funkkolleg music. Study covering letter. Beltz et al, Weinheim, inter alia, 1977-1978.
  • Hans Heinrich Eggebrecht with: Brockhaus - Riemann - music lexicon. 2 vols. Brockhaus, Wiesbaden 1978-1979, ISBN 3-7653-0303-8.
  • Studies in Music History of Berlin in the early 19th century ( = Studies in Music History of the 19th century. Vol. 56). Bosse, Regensburg 1980, ISBN 3-7649-2158-9 ( ISBN formally wrong ).
  • Hermann Danuser: New Handbook of musicology. 13 volumes. Laaber -Verlag, among other things, inter alia Laaber 1980-1995, ISBN 3-7997-0742-5.
  • Helga de la Motte -Haber: Systematic Musicology ( = New Handbook of Musicology Vol 10. ). Athenaion, Wiesbaden, inter alia, 1982, ISBN 3-7997-0752-2.
  • The music of the fifties. Attempt at a revision. 6 posts (= Publications of the Institute for New Music and Music Education, Darmstadt. Vol. 26). Schott, Mainz et al, 1985, ISBN 3-7957-1766-3.
  • The music of the 18th century ( = New Handbook of musicology. Vol. 5). Laaber -Verlag, Laaber 1985, ISBN 3-89007-030-2.
  • With the Research Institute for Music Theatre at the University of Bayreuth, led by Sieghart Dohring: Pipers encyclopedia of musical theater. 6 volumes. Piper, Munich from 1986 to 1997.
  • With others: Funkkolleg music history. European music from the 12th - 20th Century. Beltz et al, Weinheim, inter alia, 1987-1988.
  • With Norbert Miller: Relationship spell. Music in the modern sealing ( = poetry and language. Vol. 7 = Priority 4). Hanser, Munich et al, 1988, ISBN 3-446-15159-1.
  • Albrecht Rieth Müller and Alexander L. Ringer: Beethoven: interpretations of his work. 2 vols. Laaber -Verlag, Laaber 1994, ISBN 3-89007-259-3.
Hanover Dramaturgy Heinz Maier-Leibnitz Perlentaucher Bibliography of Music Literature Gidon Kremer Edgar Krapp Alfred Brendel Brigitte Fassbaender Albert Mangelsdorff Heinz Holliger Chick Corea Aribert Reimann Georg Solti Harry Kupfer Brian Eno Tabea Zimmermann Wolfgang Niedecken Hans Zender Peter Herbolzheimer Michael Gielen Klaus Doldinger Walter Levin Keith Emerson Anne Sofie von Otter John McLaughlin (musician) Integrated Authority File
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