Ingeborg Bronsart von Schellendorf

Ingeborg Marie Wilhelmine Bronsart of Schelldorf born Starck ( born August 24, 1840 in Saint Petersburg, † June 17, 1913 in Munich) was a German pianist and composer.

Life

She came from a family domiciled in Russia Swedish merchants. She learned in Saint Petersburg piano with Nikolai Martynov, Konstantin Decker and Adolf von Henselt. 1858, she came to Weimar, where she learned piano by Franz Liszt. In 1861 she married a pupil of Liszt, Hans von Schell Bronsart village. In the following years she appeared in Russian cities on with concerts.

After her husband was appointed as Director General in 1867 to Hanover royal theater, she had to interrupt their performances and began to deal with the composition. In the Salon of Bronsart family came to visit Joseph Joachim, Hans von Bülow, Friedrich Kaulbach, Friedrich Bodenstedtstraße and many other persons of German culture. From the works Ingeborg Bronsart their operas enjoyed a special popularity: The goddess of Sais or Linas and Liane, Jery and Bätely with the libretto by Johann Wolfgang von Goethe, King Hiarne (1890) as a polemic against Richard Wagner's Ring of the Nibelung. The Kaiser- Wilhelm -Marsch rang the opening of the Women's Programme of the World's Fair (1893 ) in Chicago.

She created many songs to texts by Heinrich Heine, August von Platen, Mirzə Şəfi Vazeh in translation by Friedrich Bodenstedtstraße and Mikhail Lermontov.

They also created a piano concerto (1863 ).

Works

Operas

  • The goddess of Sais or Linas and Liane (1867 )
  • Hiarne King (1871 )
  • Jery ​​and Bätely (1873 )
  • Atonement (1909 )

Concerts

  • Piano Concerto in F minor, (1863 ), lost.

Orchestral works

  • Kaiser- Wilhelm -Marsch ( 1871)

Songs ( selection)

  • Evening Song, op 16 no 1 (Text: Ernst von Wildenbruchstrasse )
  • Farewell to the Caucasus, op 10 no 2 (Text: Friedrich Martin von Bodenstedtstraße )
  • The bird, op 10 no 5 (Text: Friedrich Martin von Bodenstedtstraße by an unknown author )
  • The bright sun illuminates, op 8 no 5 (Text: Friedrich Martin von Bodenstedtstraße after Mirzə Şəfi Vazeh )
  • The Loreley ( Text: Heinrich Heine )
  • Yellow rolled at my feet, op 8 no 4 (text by Friedrich Martin von Bodenstedtstraße after Mirzə Şəfi Vazeh )
  • I feel your breath, op 8 no 6 (Text: Friedrich Martin von Bodenstedtstraße after Mirzə Şəfi Vazeh )
  • I have wept in my dream (Text: Heinrich Heine )
  • I stood in dark dreams, op 25 ( Three Songs ) no 3 (Text: Heinrich Heine )
  • In the garden complains the nightingale, op 8 no 2 (Text: Friedrich Martin von Bodenstedtstraße after Mirzə Şəfi Vazeh )
  • Last Please, op 16 no 5 (Text: Ernst von Wildenbruchstrasse )
  • I once dreamed a beautiful dream, op 10 no 1 (Text: Friedrich Martin von Bodenstedtstraße )
  • Nightingale, O nightingale, op 10 no 4 (text by Friedrich Martin von Bodenstedtstraße by an unknown author )
  • Sing, sing with Sunrise, Op 10 no 6 (Text: Friedrich Martin von Bodenstedtstraße unknown author )
  • Serenade, op 16 no 2 (Text: Ernst von Wildenbruchstrasse )
  • When spring climbs the mountains, op 8 no 3 (Text: Friedrich Martin von Bodenstedtstraße after Mirzə Şəfi Vazeh )
  • How smiling eyes, op 10 no 3 (Text: Friedrich Martin von Bodenstedtstraße )
  • Zuleikha, op 8 no 1 (Text: Friedrich Martin von Bodenstedtstraße after Mirzə Şəfi Vazeh )
  • Two bouquets, op 16 no 3 (Text: Ernst von Wildenbruchstrasse )

Source

  • Catherine Hott man. Ingeborg Bronsart / / MUGI - Music and Gender on the Internet at the University of Music and Theatre in Hamburg
  • The list of works derived from
  • Composer ( romance )
  • German composer
  • Classic pianist
  • Pupil of Franz Liszt
  • Born in 1840
  • Died in 1913
  • Woman
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