Maggi Payne

Maggi Payne ( born December 23, 1945 in Temple / Texas) is an American composer, flutist and music educator.

Payne grew up in Amarillo, where he had as a child first flute lessons. She studied with flutist Kujala Walfrid, the composer Alan Stout, William Karlins and Ted Ashford and the music critic Tom Willis at Northwestern University, where she founded an improvisational quartet with Elise Ross, Daniel Stepner and Peter Takacs. At the University of Illinois at Urbana -Champaign, she studied with James Beauchamp (electronic music ), Gordon Mumma, Ben Johnston and Sal Martirano (composition) and the choreographer Al Huang and played in Ed London's contemporary music ensemble. Since 1992 she teaches recording technology, electronic music and composition at Mills College and is co-director of the Center for Contemporary Music.

Payne composed electronic and tape music, multimedia works, and works for electro-acoustic and classical instruments, the relationship to show composers such as Ellen Fullman, Naut Humon or Fred Szymanski. She has received several awards of the National Endowment for the Arts, a video price Mellon Foundation, was awarded a honorary mention at the Prix Ars Electronica in Bourges and was a finalist in the competition Luigi Russolo by giovani compositor di Musica Elettroacoustica. In addition, they presented a large number of technical reconstructions of historical music recordings.

Works

  • Quicksilver, electro-acoustic music and video, 2011
  • Surface Tension, electroacoustic music, 2010
  • Glassy Metals, electroacoustic music, 2009
  • Shh for oboe, clarinet, saxophone, violin, viola and cello or flute, oboe, clarinet, saxophone, trumpet, trombone, violin, viola and cello
  • Cloud Fields for multi-channel audio and multi-channel video, 2008
  • Effervescence for multi-channel audio and multi-channel video, 2008
  • Liquid Amber for electro-acoustic music and video, 2008
  • Electric Ice, electroacoustic music, 2007
  • Arctic Winds, electroacoustic music, 2007
  • Fff for solo flute, 2006
  • Santa Fe, installation, 2006
  • Motor Rhythms, electroacoustic music, 2005
  • Molecular Nanotechnology for electro-acoustic music and sound recordings, 2005
  • FIZZ, electroacoustic music, 2004
  • It's Elemental for electro-acoustic music and sound recordings, 2004
  • Ringtones for carillon, 2004
  • 38 continuous elements (including silence ), installation, 2003
  • Distant Thunder, electroacoustic music, 2003
  • Reflections for solo flute, 2003
  • Of All for solo flute, 2003
  • Flight for soprano and eight instruments and / or electronics, 2003
  • Ping Pong and electro- acoustic music, 2003
  • Fluid Dynamics, electro-acoustic music, 2002
  • System Test ( fire and ice ) for electro-acoustic music and Optics, 2001
  • Breaks / motors, electro-acoustic music, 2001
  • Holding Pattern for piano and three E- Bows, 2001
  • Forest Song for two groups, 2001
  • Past / Presence, installation CD and LEDs, 2001
  • Suspended Time for orchestra, 2000
  • White Turbulence in 2000 for electroacoustic DVD and micrographs, 2000
  • HUM 2 for eight trombones, 2000
  • Pontpoint visuals, video, 1999
  • Sweet Dreams Electro-Acoustic Music, 1999
  • Fountain, installation, 1999
  • Close- ups, electro-acoustic music, 1999
  • Raw Data, electroacoustic music, 1998
  • Minutia 0 - 13 for one to three pianos, 1996
  • Apparent Horizon for tape and video, 1996
  • Moire remix by Naut Humon, electroacoustic music, 1996
  • Liquid Metal for tape and video, 1994
  • Aeolian Confluence for tape, 1993
  • Resonant Places for tape, 1992
  • Desertscapes for two choirs, 1991
  • Heavy Water for tape, 1991
  • Phase Transitions for tape, 1989
  • Songs of Flight for soprano and piano, 1988
  • Ahh - Ahh for tape, 1987
  • Airwaves (realities ) for tape and video, 1987
  • Back to Forth for tape, 1986
  • Shimmer for tape, 1985
  • Subterranean Network for tape and performer, 1985
  • White Night for tape, 1984
  • Scirocco for Flute, digital music and tape, 1983
  • Solar wind for tape and video, 1983
  • Crystal for tape and microscopic video recordings, 1983
  • Io for tape and microscopic video recordings, 1982
  • Circular Motions for tape and video, 1981
  • Ling for tape and micrographs, 1981
  • Blue Metallics for tape and recordings or film, 1980
  • Rising for tape, slides and / or dancers, 1980
  • Lunar Dusk for tape and electronically generated images, 1979
  • Lunar Earthrise for tape and abstract images, 1978
  • Spheres for tape and electronically generated images, 1977
  • Spirals for tape and electronically generated images, 1977
  • Transparencies for tape and electronically generated images, 1976
  • Farewell for tape and scenic images, 1975
  • Allusions for tape, dancers, light and film in 1974
  • HUM for tape and flutist or seven flutists, 1973
  • Orion electronically generated with electronic movie soundtrack, 1973
  • VDO, electronically generated film with an electronic soundtrack, 1973
  • Suggestions for solo flute, 1968
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