Mark Lindley

Mark Lindley ( born 1937 in Washington) is an American historian and musicologist.

Career

Mark Lindley studied at Harvard University, the Juilliard School of Music, and at Columbia University, where he also received his doctorate. He has taught at many universities, including Columbia University, the City University of New York and the Chinese University of Hong Kong. Lindley has been scientifically worked as a music researcher and the field of recent history of India. As a historian of modern India, it focuses on the independence movement and Mahatma Gandhi, and selected contributors of the Mahatmas.

Lindley is an expert in the field of the history of musical moods, including in particular the temperatures, the historical keyboard instrument fingerings and the chromatic scale.

Publications to Gandhi

  • " Gandhi 's Rhetoric " ( in Journal of Literature and Aesthetics, 1999).
  • Gandhi and Humanism ( Humanist Chaplaincy at Harvard University, 3rd ed, 2005).
  • Gandhi and the World Today (1998 ), A View Recent American ( University of Kerala ).
  • Gandhiji ko yeh kaise ki vishwagaya antarjatiya vivahse, jati ka pratha unmulan karna hosa ( National Gandhi Museum, New Delhi, 1998).
  • JC Kumarappa: Mahatma Gandhi 's Economist ( 2007)
  • The Life and Times of Gora (2009)
  • Gandhi as We Have Known Him, with Lavanam Gora ( National Gandhi Museum, New Delhi, 2005; 2nd edition, 2009)

Musicological Publications

  • "Early 16th -century keyboard temperaments " ( in Musica Disciplina, 1974)
  • " Early English keyboard fingerings " ( in Basel Yearbook for Historical Music Practice, 1980).
  • " La " pratica ben regolata "di Francesco Antonio Vallotti " ( Rivista Italiana di in Musicologia, 1980).
  • "An introduction to Alessandro Scarlatti 's * Toccata prima *" ( in Early Music, January 1982).
  • Lutes, Viols and Temperaments ( Cambridge University Press, 1984).
  • "Keyboard technique and articulation: evidence for the performance practices of Bach, Handel and Scarlatti " ( in P. Williams, ed, Bach, Handel and Scarlatti: Tercentenary Essays, Cambridge University Press, 1985).
  • " Mood and temperature" ( in F. Zaminer, ed, History of Music Theory, Vol 6: listening, measuring and calculating in Early Modern Europe, University Press, 1987).
  • Early Keyboard Fingerings, A Comprehensive Guide (with M. Boxall, Schott, 1992).
  • Ars Ludendi: Early German Keyboard Fingerings ( Tre Fontane, 1993).
  • Mathematical Models of Musical Scales, A New Approach ( with R. Turner -Smith, publisher of Systematic Musicology, 1993).
  • "A systematic approach to chromaticism " ( in Systematic Musicology / Systematic Musicology / Musicologie systematique, 1994).
  • "A quest for Bach 's ideal style of organ temperament" ( in M. Lustig, ed, moods in the 17th and 18th centuries, Michael Stein, 1997).
  • " Marx and Engels on the music " ( in education and criticism, 1997).
  • " Euphony in Dufay: harmonic 3rds and 6ths with explicit sharps in the early songs" (with G. Boone, in the 2004 years book of the State Institute for Music Research, Berlin).
  • Beethoven 's Variations for Piano, Opus 34: Genesis, Structure, Performance (with K.-J. Sachs and Conny Restle, Schott, 2007).
  • " Valuable nuances of tuning for part 1 of JS Bach 's ' The Well- temperate Clavier ' ", Berlin 2011
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