No Blood No Tears
- Lee Hye- yeong: Kyeong - seon
- Jeon Do -yeon: Su -ji
- Jeong Jae- yeong: Dok - bul
- Shin Goo Kim Geum -bok / "KGB "
- Jung Doo -hong: Geum - bok racket
No Blood No Tears ( Hangul: 피 도 눈물 도 없이, Pido nunmuldo eobshi ). 's A South Korean movie with martial arts elements of director Ryoo Seung -wan 's 2002 The second full-length feature film by director tells the story of two disadvantaged women must steal the cash from the possession of the honorable society and suffer all kinds of tortures for this.
Action
The hard-boiled ex- Kyeong - seon moll, a middle- aged woman, is reflected by a taxi driver, to pay off the gambling debts of her husband submerged in the underworld boss Geum -bok. In addition to her dreary life is threatened by bizarre debt collector; her little daughter also has for years been missing. One day Kyeong - seon taxi from the sports cars of the lively singer Su -ji is rammed, trying to escape her rundown friend Dok - bul, a brawling ex-boxer and gang leader. The two -favored by fate women find so together.
After some time, both develop from chronic shortage of money a plan: they want to bring the ever bad-tempered gang leader and betting Godfather Dok - bul to the income of an illegal dog-fighting event, which he aligns for his boss Geum -bok. The delicate coup succeeds, however, the duo is first separated. Meanwhile, several people express interest in the stolen betting revenue. In addition to the horned Dok - bul, try Underworld King Geum -bok, a trio moronic young gangsters and local police to take the volatile women. As a result, the individual groups fight in a partly opaque interplay of power and greed. Ultimately, almost all the gangsters killed. After grueling battles Kyeong - seon and Su -ji is taken from the looted money of young gangsters.
At the end of the film the destitute women dream of a happy future, not realizing that a part of the booty hidden is in her car.
Reviews
The lexicon of international film wrote the film is an " over hard action film, the story of his melancholy and comedy " beimische and "Elements of the Hong Kong cinema of the 1980s to current standards of the gangster film " extend it.