Octavian Nemescu

Octavian Nemescu ( born March 29, 1940 in Paşcani ) is a Romanian composer.

Nemescu studied from 1956 to 1963 at the National University of Music Bucharest, Mihail Jora composition with, harmony with Paul Constantinescu and orchestration at Alexandru Pascanu and Anatol Vieru. In 1972 he took part in the Darmstadt Summer Courses. From 1971 to 1978 he taught music analysis and counterpoint at the Transylvania University of Braşov. Until 1990 in Iaşi, he was at art school " George Enescu" professor of counterpoint, harmony and music history, since he is a professor of composition at the National Music University of Bucharest. He is the father of the Romanian film director Cristian Nemescu ( 1979-2006 ).

For his compositions, he was awarded the Aaron Copland Prize, several times the price of the Romanian Composers Union, two prizes at the Concours International de Musique Electroacoustique de Bourges (1980 and 1982 ), the Prize of the Romanian Academy of Arts and Sciences ( 1981) and the Prize of the International Confederation for Electroacoustic Music (ICEM, 1985).

Works

  • Sonata for Clarinet and Piano, 1962
  • Triangle, 1963-64
  • Combinations in Circles for cello, ensemble and tape, 1965
  • Four Dimensions in Time - IV, ' Illuminations ' for mixed choir and orchestra, 1967
  • Four Dimensions in Time - V, '1918 ', 1968
  • Suggestions multimedia performance, 1968
  • Memorial multimedia performance, 1968
  • The King Will The multimedia performance, 1968
  • Grafological music, multimedia performance, 1969
  • Concentric for ensemble and tape, 1969
  • Four Dimensions in Time - VII # ', 1970
  • Semantics for n melomen 1971-74
  • Ulysses, multimedia performance, 1972
  • Naturel - Culturel for tape, 1973
  • Spectacle pour un instant for piano, ensemble and tape, 1974
  • Cromoson - Song of Objects, 1974-75
  • Will You Be Able by Yourself? , 1976
  • Salve Regina for mixed choir and organ, 1981
  • Gradeatia for tape, 1982
  • Metabizantinirikon for clarinet, violin and tape, 1985
  • Centrifuga for piano and tape, 1986
  • Trisson for tape, 1986
  • Sonatu ( h) r for tape, 1987
  • Alpha - Omega for saxophone (s ), violin, percussion and tape, 1988
  • IN PAR for trombone and tape, 1988
  • Lumina lina for mixed choir, 1988
  • No NonSymphony. 5, 1988-92
  • Alpha - Omega recidiva, 1989
  • Finalist septima for clarinet, bassoon, violin, cello, piano and percussion, 1989
  • Finalpha for trombone, percussion and tape, 1990
  • Finaleph, 1990
  • String Quartet for Midnight, 1993
  • Quindecimortuorum for 1 o'clock AM for two percussionists and brass orchestra, 1994
  • DanielPentAbsorbOR for saxophone (s ) and tape, 1995
  • Negantidiadua for 2 o'clock AM for voice, alto saxophone, trombone, piano, percussion and tape, 1995
  • Je dis comme for Voice and Piano, 1996
  • PhosisTripercMetaMor for 3 o'clock AM for English horn, percussion and tape, 1996
  • No PreSymphony. 6, 1996-2000
  • Septuor for 4 o'clock AM for oboe, clarinet, bassoon, violin, cello, piano, percussion and tape, 1997
  • Quintabeit for 5 o'clock AM for voice, oboe, clarinet, bassoon, two trumpets, violin, cello, piano, percussion and tape, 1998
  • Beitsonorum for 6 o'clock AM for oboe, clarinet, bassoon, violin, cello, piano, percussion and tape, 1999
  • Beitintervallum for 7 o'clock AM for clarinet, violin, piano, percussion and tape, 2000
  • Saecula - Saeculorum for tape, 2000
  • Beitrissonum for 8 o'clock AM for two flutes, violin, viola, accordion and tape, 2001
  • No PostSymphony. 2, 2001
  • No PluriSymphony. 1 for mixed choir and orchestra, 2002
  • RouaUruauor for 9 o'clock AM for flute, tuba, piano, percussion and tape, 2002
  • OUA for 10 o'clock AM for flute, clarinet, trombone, violin, piano, percussion and tape, 2002-03
  • No PostSymphony. 3, 2003
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