Ripieno

The Ripieno (Italian, full ' ), abbreviated R, rip, one dating from the 18th century term for the full orchestra ( tutti ) in the concerto grosso, the full organ (organo pleno ) and in general for all is multiply occupied voices that are contrary to the concertante solo voices; also in the choir. As ripienists or Tuttisten orchestral musicians or singers are called without solo tasks accordingly. Carl Friedrich Zelter, for example, founded on 10 April 1807 ten instrumentalists in the Sing-Akademie zu Berlin Ripienschule for instrumental music.

Today the word is used also for the brass in the orchestra. The basso ripieno requires the strengthening of the tutti parts or refrains. Often the word is to " repiano " spoof.

Senza ripieno (also senza ripieni ) means that only the soloists and first panels of an orchestra to play. In the practice game of the Baroque concerto grosso, this does not mean that the accompanying Ripieno must be silent, but that without this solo concertino is then accompanied only by a small group of Ripieno.

In organ building Ripieno since about 1900 the Italian name for the plenary organ.

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