Schrammeln

  • Marte Harell: Milli Strubel " the Fiakermilli "
  • Hans Holt: Josef Schrammelmusik
  • Hans Moser: Anton Strohmayer
  • Paul Hörbiger: Johann Schrammel
  • Fritz Imhoff: Georg Dänzer
  • Inge Egger: Barbara Strohmayer
  • Robert Lindner: Anton Stelzer
  • Helli Servi: Franzi
  • Tibor of Halmay: From Szatmary
  • Josef Egger: garnishment official
  • Oskar Wegrostek: fiacre Strubel
  • Franz Pfaudler: publisher Haslinger

Schrammeln is a German film directed by Géza von Bolváry from the year 1944., The film has little to do with the real " Schrammeln ", a Viennese folk music quartet of the 19th century.

Action

Johann Schrammel, forming a string quartet with his brother Josef and Georg Schrammelmusik Dänzer and Anton Strohmayer, holding his light compositions for inferior and refuses to list these. Joseph then steals the notes from the desk drawer, texts writes and draws together with Strohmayer as a street musician through Vienna. The common people is enthusiastic and the songs become popular songs without John 's knowledge. So learns of the famous music publisher Haslinger, Johann invited to audition. To the amazement of Johann Haslinger will be unaware of the serious plays, but only by the serene, which are just now randomly played by Josef and Strohmayer in the yard but. John gets angry and all four fall out. The cab was also present, Milli, with G'spür for what the people want, attracts four to one of their ideas and forces them to play together for the first time as " The Schrammeln " together. The audience is thrilled that Schrammeln become famous, the financial hardships are soon over.

Joseph, who is engaged to straw Mayer's daughter, falls in love with Milli, who reciprocates his love. Even John, the Milli has given after a visit to restaurants " a Busserl " raves, fierce for them. Then it comes back to a violent quarrel between the brothers and the Schrammeln separate. Johann and Strohmayer and Joseph and Dänzer try their luck separated, the audience is at half Schrammeln but not interested. Milli, who finds out about it when she returns from a stint in Budapest, is informed by Strohmayer. She did not know that Joseph is betrothed, and proves that they no frivolous actress, but a woman with principles is: I've never a woman's husband or a girl taken away the groom. And I will not do it now, and if it means my own misfortune. You are their engagement with the rich brewer Stelzer. Joseph reconciled with his brother and his fiancée and the Schrammeln are together again.

The film begins as a typical Hans Moser comedy and then turns him into a tragic love story, when Joseph Schrammelmusik in beguiling way the song " It is only once in love," intones that eventually permeates the whole film in many ways.

Background

The based on an idea by Hans Gustl Kernmayr and Ernst Marischka transformed into a screenplay film history brings the Schrammeln in connection with another Viennese original of the 19th century, the horse-drawn carriage Milli (played by Marte Harell ).

The premiere was on March 3, 1944. Schrammelmusik A well-known song that was sung in the film and ended with the words " ... Does it kan concept, which belonged to Austria is" was by order of the Reich Film Chamber with " ... Has kan term of how beautiful as synchronized 's is ". During demonstrations in Vienna's Scala cinema, however, the audience spontaneously agreed the amendment. The original version was preserved and shown again after the war.

Awards

The Board of Film awarded Schrammeln the predicates " artistic merit " and " folksy valuable".

Reviews

  • " Colorful decals from the Vienna of the turn of the century (...) - to be served some love, humor and soulful mood. " ( Score: 2 stars = average ) - Adolf Meier Heinzl and Berndt Schulz in Lexicon " Movies on TV " ( Extended edition ). Rasch and Röhring, Hamburg 1990, ISBN 3-89136-392-3, p 721
  • " Shortage of money, love, jealousy, humor and many soulful Viennese songs. Entertaining movie for the whole family. " - " Encyclopedia of the international film " (CD -ROM edition ), Systhema, Munich 1997
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