Wolfgang Gratzer

Wolfgang Gratzer (* 1965 in Bad Vöslau, Austria ) is an Austrian musicologist.

Life

He completed his basic humanities studies ( Musicology and Media and Communication Studies) at the Paris University of Salzburg ( 1983-1988 ). At the same University he completed his doctoral studies in 1990 with the dissertation Zur, whimsical mystique ' of Alban Berg. In 2001 he completed his habilitation at the University of Vienna in Musicology with Scripture composers comments. Contributions to a history of self-interpretation.

Since 1989 he works at the University Mozarteum Salzburg: first as an assistant at the Institute of Musical Hermeneutics (1990 to 2001), after his habilitation (2001) as a university lecturer in musicology.

In 2006 he founded together with Joachim Bruges and Thomas Hochradner the Institute of Musical Reception and interpretation of history (University Mozarteum Salzburg).

Since 1 October 2010, he has worked at the University Mozarteum Salzburg as Vice- Rector for Development and Research.

Wolfgang Gratzer is since 1990 married to Gerda Gratzer and father of three children ( Fred, Alexander and Hannah ).

Research

Publications, conception of symposia and book projects:

  • Musical Reception ( music appreciation, history of listening to music, contemporary music, music history, Mozart reception)
  • Musical interpretation ( history of musical arrangements, performers Stylistics )
  • Interdisciplinary themes (music and visual arts, literature music)

Teaching activities

University (University Mozarteum Salzburg, University of Vienna, Danube University Krems):

  • Music History Overview
  • Musical reception ( eg history of listening to music, musical value judgments )
  • Musical interpretation (eg, Nikolaus Harnoncourt and the history of conducting, methods of interpretation research )
  • Interdisciplinary topics (such as music and painting, literature and music )

Educators ( and Others stays in Northern Europe, China, India, Japan and Mongolia ):

  • Music and contemporary literature (eg Vienna Group, Otto M. Zykan, settings of texts by Ingeborg Bachmann )
  • Mozart reception ( eg marketing Mozart )
  • Cultural and musical history of Austria (eg Austria as the " Land of Music", Viennese Modernism and Sigmund Freud)

Contributions to the University Development

  • Evaluation in art universities
  • Doctoral studies in the Bologna Process

Book publications Wolfgang Gratzer

  • 2013 work on the musical work. On the dynamics of artistic action ( sound - talk 9), ed. together with Otto Neumaier, Freiburg / Br. Rombach
  • 2012 Dietrich Fischer-Dieskau. To his development as a singer and musical thinker ( sound - talk 8), Freiburg / Br. Rombach
  • Almanac of the University Mozarteum Salzburg 2011/12 ( Publications on the history of the University Mozarteum Salzburg 3 ), Vienna: Hollitzer
  • 2011 Quality Manual study, Salzburg Mozarteum University in Salzburg
  • Almanac of universities Mozarteum Salzburg 2010/11 ( Publications on the history of the University Mozarteum Salzburg 1 ), Vienna: Hollitzer
  • 2010 Guernica. About violence and political art, ed. together with Otto Neumaier, Munich: Fink
  • 2009 event sound speech. Nikolaus Harnoncourt as conductor and musical thinker ( sound - talk 3), Freiburg / Br. Rombach
  • Elective Affinities. Program book Salzburg Biennale 2009, Saarbrücken: Pfau
  • 2008 Mozart's last three symphonies. Stations of its history of interpretation ( sound - talk 1), ed. together with Joachim Bruges and Thomas Hochradner, Freiburg / Br. Rombach
  • Challenge Mozart. Composing in the shadow of canonical music ( sound - talk 2), Freiburg / Br. Rombach
  • 2007 Picture music. Gerhard Ruhm and contemporary art, ed. together with Joachim Bruges and Otto Neumaier, Saarbrücken: Pfau
  • Arrive: Proceed. Adriana Hölszky text compositions, ed. together with Jörn -Peter Hiekel, Wiesbaden: Schott
  • 2003 composers comments. Contributions to a history of self-interpretation [ Habilitationsschrift 2001 ] ( Vienna musicological contributions 22 ), Vienna, Cologne and Weimar: Böhlau
  • 2001 Translated time. The Middle Ages and the music of the present, ed. together with Hartmut Möller, Hofheim: Wolke
  • 1998 The trend towards the event. About the Host of contemporary music (series Centre of Contemporary Music 3), ed. together with Gerhard Eder, Saalfelden: Center of Contemporary Music
  • 1997 closeness and distance. Nachgedachte contemporary music 2, Hofheim: Wolke
  • Perspectives of history Western music listening ( writings on musical hermeneutics 7) Laaber: Laaber
  • 1996 jazz, new music and media (series of contemporary music center 2) hg. together with Gerhard Eder, Saalfelden: Center of Contemporary Music
  • Closeness and distance. Nachgedachte music of the present one, Hofheim: Wolke
  • 1995 Hermeneutics musicological context ( writings on musical hermeneutics 4), ed. together with Siegfried Mauser, Laaber: Laaber
  • 1993 to " whimsical mystique " Alban Berg [ dissertation in 1989 ], Vienna: Böhlau
  • 1992 Mozart in the music of the 20th century. Forms of aesthetic and compositional technique reception ( writings on musical hermeneutics 2), ed. together with Siegfried Mauser, Laaber: Laaber
  • De Editione musices. Festschrift Gerhard Croll for his 65th birthday, ed. together with Andrea Lindmayr, Laaber: Laaber
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