A Night in Casablanca

  • Groucho Marx: Ronald Kornblow
  • Harpo Marx: Rusty
  • Chico Marx: Corbaccio
  • Charles Drake: Lt. Pierre Delmar
  • Lois Collier: Annette
  • Sig Ruman: Count Pfefferman / Heinrich Stubel
  • Lisette Verea: Beatrice Rheinermark
  • Lewis L. Russell: Governor Galoux
  • Dan Seymour: Prefect of Police Capt.. Brizzard
  • Frederick Giermann: Kurt
  • Harro Mellor: Emile
  • David Hoffman: spy
  • Paul Harvey: Mr. Smythe

A Night in Casablanca ( Original title: A Night in Casablanca) was the twelfth published film of the Marx Brothers Groucho, Chico and Harpo Marx. It was filmed in 1946.

Action

During the Second World War, the Nazis have deposited valuable works of art in a secret mezzanine floor of the hotel. Count Pfefferman aka Heinrich Stubel, his assistant Kurt and his beloved Beatrice Rheinermark now trying to create this out of the country. To this end, they murder the manager of the hotel, in the hope that Count Pfefferman is employed as a manager. Unfortunately, however, Ronald Kornblow is appointed as manager. And now they are trying to also create him out of the way. Finally, he comes along with Rusty and Corbaccio with the help of Pierre Delmar and Emile behind where the hotel the artworks are hidden. You can do this as they are to be flown out of the country, eventually even save and bring the bad guys behind bars.

Comments

The film is a parody of the dating from the 1942 film Casablanca with Humphrey Bogart and Ingrid Bergman. The Warner Brothers tried in vain to prevent the film's title. The result was a very interesting exchange of letters between Groucho and the Warner Brothers.

Reviews

  • "(...) The diffuse story that the cult film " Casablanca " can not be undamaged, the imagination of the Brothers is plenty of scope. " ( Score: 3 stars = very good) - Adolf Heinzl Meier and Berndt Schulz in Lexicon " Movies on TV " ( Advanced edition ). Rasch and Röhring, Hamburg 1990, ISBN 3-89136-392-3, p 596
  • The comedian trio and Director Archie L. Mayo is because one of those turbulent comedies succeeded in their countless gags you want to continue to tell immediately - but they are beyond the narratability because even the dialogue jokes are inextricably linked with the three figures, and with her gesture with their experiences; they move at such a frenzied pace that is clear: they fear the moment of peace in which they would come to their senses. filmdienst 20/1977
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