Adriana Hölszky

Adriana Hölszky (* June 30, 1953 in Bucharest, Romania ) is a composer and pianist Hungarian- German origin.

Life

In the years 1959-1969 Adriana Hölszky took piano lessons with Olga Roşca - Berdan at the Music High School in Bucharest. In 1972 she began to study composition at Ştefan Niculescu and parallel to a piano studies at the Conservatory in Bucharest. In 1976 she moved with her family to Germany. Here she continued her studies further: 1977-1980 she studied composition at the Musikhochschule Stuttgart with Milko Kelemen, next to piano - Chamber Music with Günter Louegk. During her studies, she has performed as a pianist of Trio Lipatti, with her twin sister Monika Hölszky -Wiedemann and cellist Hertha Pink Herseni.

1977 and 1978 she participated in the International Summer Academy Mozarteum, 1978-1984 regularly attended the Darmstadt Summer Courses for New Music. In 1980, she received a teaching position at the University of Music and Performing Arts Stuttgart, in 1983 a grant from the Arts Foundation of Baden- Württemberg. In 1986, she first participated in the Composers' Forum of the Darmstadt Summer Courses for New Music. In 1987 she received a scholarship from the Ministry of Culture of Lower Saxony. In 1992, she participated in composition seminars in Tokyo and Kyoto, and at IRCAM (Paris) in part. The growing international awareness was reflected in three portrait concerts in Athens, Thessaloniki and Boston in 1993. Between 1997 and 2000 Adriana Hölszky was a professor of composition at the Academy of Music and Theatre in Rostock, since 2000 she has been professor of composition at the Mozarteum in Salzburg. Since 2002 she is a member of the Academy of Arts in Berlin.

Awards

Works

• Piano Sonata, 1975
• String Quartet, 1975
• Constellation for orchestra, 1975-76
• Monologue for female voice and drums, 1977
• It came ... black birds for five female voices and percussion, 1978
• Il était un homme rouge for 12 voices, 1978
• Comment for Lauren for soprano, 8 brass and timpani, 1978
• Space for four orchestral groups, 1979-80
• Omnion for tape, 1980
• Questions I for soprano, baritone, violin, cello and piano, 1980
• Questions II for soprano, baritone, violin, cello, piccolo, guitar and piano, 1981
• Flux -re- Flux for alto saxophone, 1981-83
• Inner worlds I for String Trio, 1981
• Inner Worlds II for String Quartet, 1981-82
• Arcades for 2 flutes and string quartet, 1982
• Inlaid I for flute, violin and piano, 1982
• Decorum for Harpsichord, 1982-83
• Inlaid II for flute, violin, harpsichord and piano, 1982-83
• Inlaid III for flute, violin, 2 pianos, 1982-83
• Controversia for 2 flutes, 2 oboes and violins, 1983
• Erewhon for 14 instruments, 1984
• Sound launcher for 12 Strings, 1984-85
• New Erewhon for ensemble, 1984-85/90
• Props for 9 Instruments, 1985
• Dark ... and again I fürPauken and piano, 1985/90
• And again ... Dark II for timpani and organ, 1986
• Always silent for four choirs, 1986
• Listening window for Franz Liszt for piano, 1986-87
• '' Bremen Freedom. Sing works on a woman's life, opera 1987, libretto by Thomas Körner ( based on the eponymous play by Rainer Werner Fassbinder). UA June 4, 1988 Munich ( 1 Munich Biennale; Gasteig, Carl Orff Hall, directed by Christian Kohlmann, Stage and Costumes: Birgit Angele; Ensemble Avance; Conductor: András Hamary )
• Fragments from ' Bremen Freedom ' for accordion, cimbalom and timpani, 1988
• Suspension bridges - String Quartet ' Schubert ', two string quartets, which can be played simultaneously as an octet, 1989-90
• Hunt the wolves back for 6 timpani, 1989-90
• Caravan - reflection on the wall rang for 12 timpani, 1989-90
• Flutes of light ' area game' for female voice, 5 wind instruments and other instruments ad lib., 1989-90
• Message ( E. Ionesco ), for mezzo- soprano, baritone, speaker and electronics, 1990
• Light flight for violin, flute and orchestra, 1990
• Segments I (for seven centers of sound ) for piccolo, euphonium, double bass, piano, Cymbalom, accordion and percussion, 1991-92
• Segments II for piano and percussion, 1992
• Segments III for oboe, double bass and accordion, 1992
• Miserere for accordion, 1992
• Sound honeycomb 1 for Violin, 1993
• World ends for 4 Brass, 1993
• A due - wave study for 2 clarinets, 1993
• Painting of a slain ( JMR Lenz) for 72 voices, 1993
• At the night for orchestra, 1994/2001
• The walls, Opera 1993-95. Libretto: Thomas Körner (after the play Les Screens by Jean Genet ). UA May 20, 1995 Vienna ( Theater an der Wien, directed by Hans Neuenfels; Conductor: Ulf Schirmer)
• Cargo for orchestra, 1995
• Arena for Orchestra, 1995
• Qui audit me for alto flute, viola, guitar and speakers (ad lib. ), 1996
• Tragoedia - the invisible space music theater (without voices ) for ensemble, tape and live electronics, 1996-97. Libretto: Thomas grains. UA 1997 Bonn ( Art and Exhibition Hall of the Federal Republic of Germany )
• Cloud and moon for accordion and cello, 1996/2006
• Avance Impulsions mecaniques for clarinet, euphonium, cello and piano, 1997
• The rise of the Titanic. opeRatte for 6 vocalists, sound props and tape, 1997. OTHERS September 26, 1997 Graz
• And I looked like a sea of ​​glass mingled with fire ... for Organ, 1997
• Spin 2 for Violin and Keyboard, 1998
• High Way for accordion and 19 instruments, 1998-99
• Gamut of myths for 6 percussionists, string orchestra, 1999
• Giuseppe e Sylvia, opera, 1999-2000. Libretto: Hans New rock. UA November 17, 2000 Stuttgart (State Opera, directed by Hans New rock, scenery: Reinhard von der Thannen; Conductor: John Kalitzke )
• High Way for accordion and ensemble, 1999/2003
• On the other side for 3 soloists and orchestra, 2000
• High Way for One for accordion, 2000
• Dream Song for drums, 2000
• Mask and color for baritone (mezzo- soprano) and piano, 2000, text: Michael Krüger
• Umsphinxt ... A riddle for birds of prey, text by Friedrich Nietzsche's ' The desert grows ' for 48stg choir, 2000-01, Text: Friedrich Nietzsche
• On the other side for clarinet, harmonica, accordion and orchestra, 2000-03
• The Good God of Manhattan, opera, libretto 2004. Yona Kim (after the play by Ingeborg Bachmann ). UA May 19, 2004 Schwetzingen ( Rococo Theatre, Stuttgart Radio Symphony Orchestra, Conductor: Alexander Winterson )
• To all names The Light ( Part 2) for choir and organ, 2004
• Lemurs and ghosts for soprano, flute, clarinet, violin, cello and piano, 2004-05
• Like a bird Hommage à György Kurtág for Violin, 2006
• Maneuvers for 2 clarinets and orchestra, 2006
• Demons for chorus and orchestra, 2006
• Snowbirds ( like a bird II) Hommage à György Kurtág for Violin and Piano, 2006
• Countdown for counter-tenor and orchestra, 2007 Text: . Ver du Bois
• Grid for bassoon, 2008
• . Hubris / Niobe - Drama for voices for 6 soloists and choir 32stg, 2008 Libretto: Yona Kim. UA April 25, 2008 Schwetzingen
• The dogs of Orion for 8 voices, 2010

Student

• Carsten Hennig ( born 1967)
• Olga Neuwirth ( born 1968 )
• Eunyoung Esther Kim (* 1973)
• Benjamin Lang ( b. 1976 )
• Karola upper Müller ( * 1977 )
• Marios Joannou Elia ( b. 1978 )
• Sagardía (* 1978)
• Jolanta Debicka
• Wistinghausen Martin ( b. 1979 )