List of compositions by Antonio Salieri

Raisonné Antonio Salieri

Secular vocal music

Operas

Annibale in Capua (1801 )
Armida (1771 )
Axur, Re d' Ormus (1788 )
Catiline ( 1790-92 ) - World Premiere posthumously in 1994 in Darmstadt
Cesare in Farmacusa (1800)
Cublai, gran Kan de ' Tartari ( 1786-88 ) - World Premiere posthumously in 1998 in Würzburg
Danaus (1807 ) - German version of Les Danaïdes
The Post House - fragment lost,
Delmita e Daliso (1776 )
The chimney sweep or The indispensable traitors of their lordships of self-interest (1781 )
The dress rehearsal - fragment
The Negro (1802, premiere 1804)
Don Quixote all nozze di Gamace (1770 )
Eraclito e Democrito (1795 )
L' Europe riconosciuta ( 1778)
Falstaff ossia Le tre burle (1799 )
Il Barone di Rocca Antica ( 1772)
Il Mondo alla rovescia (1792, premiere 1795)
Il Moro (1796 )
Il pastor fido (1789 )
Il Ricco d'un giorno (1784 )
Il Talismano (1779 ) - first act of Salieri, second and third act of Giacomo Rust
Il Talismano (1788 )
I tre filosofi (1797 ) - fragment
L' Amore innocente (1770 )
L' Angiolina ossia Il matrimonio per Sussurro (1800)
La Bella selvaggia (1802 ) - not listed
La calamita de ' cuori (1774 )
La Cifra (1789 )
La Dama pastorella (1780 )
La Fiera di Venezia ( 1772)
La Finta scema (1775 )
La Grotta di Trofonio ( 1785 )
La Locandiera (1773 )
La Moda ossia Gli scompligi domestici (1771 ) - pastiche, only parts of the second and third act of Salieri
La Partenza inaspettata (1779 )
La Scuola de ' Gelosi (1778, second edition 1783)
La Scuola degli amanti ossia Così fan tutte (about 1789) - fragment
La Secchia rapita ( 1772)
La vestal (1769 ) - lost
Le Couronnement de Tarare (1790) - the new political conditions adapted addition to Tarare
Le Donne lette rate (1770 )
Les Danaïdes (1784 )
Les Horace (1786 )
Palmira, Regina di Persia (1795 )
Prima la musica e poi le parole (1786 )
Semiramide ( 1782 )
Tarare (1787 )

Arias and ensembles

Addio bella carina ( Meng. ), Arie G Major for Bass and Orchestra for?
Monkey questa sera grandissima - Una dominatrix? Una nipote? ( Don Anchise ), aria & recitative for bass and orchestra (1775? ) For P. Anfossi La Finta Giardiniera?
Ah ciel che questa è noja, aria fragment
Ah dove amici, recitative for soprano and orchestra, for?
Ah non siete ogni si facile ( Tenast ), aria for tenor and orchestra, for?
Alla speranza ( Galatea ), aria for soprano and orchestra, for?
All'idea del gran mistero, Arie A Major for soprano, choir and orchestra for?
Anch'io nello specchio talora, Arie E Major for soprano and orchestra (1771 ), for?
Cedo l' intatto Pegno ( Dely - Davidde ), duet for soprano, tenor and orchestra, for?
Che mi s'appresti? ( Capitano ), Aria C Major for Bass and Orchestra ( 1775), for?
[ ... ] Che strane vicende ( Ros. - Fior -. Pasq -. . Fulg ) fragmentary finale of an opera ( Atto II), for A. Felici La News?
Chi vuol la Zingara, a duet for two sopranos and orchestra for?
Dall'uso parigino il bello il sopraffino, Aria C Major for soprano and orchestra (1773 ), for?
Del morir le angoscie adesso, scene and aria for tenor and orchestra
Do not think the period of pain, duet for soprano, tenor and orchestra, from Danaus
Dico sol, che la padrona (Lena ), aria for soprano and orchestra, for La Locandiera?
D' oro saranno i letti ( Fulg. ), Aria in D Major for Bass and Orchestra ( 1775), for?
Dottorini Saputelli ( Clar. ), aria for soprano and orchestra (1774 ), for?
D' uno sposo si mi dolce vanto ( Fiamme. ), aria for soprano and orchestra (1775 ), for?
Eccomi al punto ch'io già tanta TEMEI, aria for soprano and orchestra, fragment, for?
Fate largo al gran Pasquino ( Pasquino ), Aria in D Major for Bass and Orchestra ( 1775), for A. Felici La News?
Figlia mia diletta, trio for soprano, tenor, bass and orchestra for?
Fra tanto pietre brune ( Polidoro ), recitative for bass and orchestra ( 1785? ), For Cimarosa's L' Italiana in Londra?
Gelosia d' amore è figlia, aria for soprano and orchestra, for?
Gor Lasciatemi ( Gianetta ), aria for soprano and orchestra, for?
Gran diavolo! ( Uberto ), Arie F Major for Bass and Orchestra for?
Guarda in quel volto, Arie E flat major for soprano and orchestra, for?
Ho perduto la mia pace ( Brettone ), aria for tenor and orchestra (1775 ), for Paisiello's L' Innocenza fortunata
Ho stampato libri in foglio, aria for tenor and orchestra, for?
Il pargoletto Amabile, Arie A major for tenor and orchestra, for?
In tuo favore mi parla il core, a duet for two sopranos and orchestra for?
Io contento, recitative for?
Io di nuovo vel ripeto, aria for soprano and orchestra (1777 ), for?
Io lo dico e il posso dire, trio for alto, tenor, bass and orchestra for?
Io non so che pensare, recitative and cavatina for tenor and orchestra, for?
La donna è semper unstable ( Belfusio ), aria for tenor and orchestra, for La Fiera di Venezia?
La mia morosa me l' ha fatta ( Sandrina ), aria for soprano and orchestra, for Il Talismano?
L' amour est un dieu, Canzone for soprano and orchestra, for?
La sposa se cedo, aria for soprano and orchestra, for?
Le diras che, il campione ( Gusman ), aria for bass and orchestra ( 1775), for?
Le Inconvenienze teatrali, quartet for soprano, alto, tenor, bass and orchestra for?
L' introduco immantinente - Quando ho visto il dottorino ( Rosina ), Recitative & Aria for Soprano and Orchestra ( 1776), for La Finta scema
Madame vezzosissima ( Zeffirina - Valerio ), fragmentary Recitative and Duet for?
Ma quai mali intorno al core, aria for tenor and orchestra
Ma quale agli occhi miei ( Conte), recitative for?
Mia vaga Dorilla, aria for bass and orchestra ( 1775), for example, Galuppi Il Marchese villano
Moriam, moriam mia vita, Recitative & Duet for Soprano, Tenor and Orchestra, for?
Nel mio seno, aria for?
No, che pieta ( Arrich. -. Pett ), duet for soprano and tenor with orchestra (3 October 1780), for?
Non by parlar d'amore ( Laurina ), Arie E flat major for soprano and orchestra, for N. Piccinni L' Astretta
Non che d' altri temer ( Falsirena ), aria for soprano and orchestra (1779 ), La Fiera di Venezia
Non veste alla moda ( Aga. ), aria for bass and orchestra ( 1774), for?
Non vi fidate, aria for soprano and orchestra, for?
O hate, pride o, o love! (Anna ), aria for soprano and orchestra ( 1804 ), alternative aria ( Act II, No. 6) for the Negro
Oh donna che che matta ( Peppino ), recitative for?
Oh me infelice - Allor potrei, recitative and aria for?
Oh torturous sorpasso Giubilo ( Pilemone ), Arie F Major for Bass and Orchestra for Eraclito e Democrito?
Oh quantitative veggarsi ( Cardano ), aria for tenor and orchestra, for Il Talismano?
Oh sancte inviete, aria for soprano and orchestra (1775 ), for?
Padre, oh Dio! con torturous fronte ", Recitative and Trio (1775 ) - with Salieri's Note " Composto per la prima Accademia l'anno 1775 "
Padrona stimatissima ( Pasquino ), Aria in D Major for Bass and Orchestra for A. Felici La News?
Parlaste d'un Cappone, aria for bass and orchestra ( 1776), for?
Pasquino Avra quest'ora, recitative, for A. Felici La News?
Paterio giudizio, aria for bass and orchestra for?
Per amore io già vancillo ( Perillo ), aria for tenor and orchestra (1770 ), for?
Perder sogetto amato, a duet for two sopranos and orchestra for?
Per voi s'avanzi, aria for bass and orchestra for?
Prendi un paterno amplesso ( Emirena - Farnaspe - Osroe ), Recitative and Trio (1773 ), for?
Torment densa notte ( Artalice - Chabri - Nehemiah - choir ), the finale of an opera for?
Quando sarà mia sposa ( Capitano ), aria for bass and orchestra ( 1775), for?
Quest'è un mar di confusione, quartet for soprano, alto, tenor, bass and orchestra for?
Qui non si dice: cara a chi d' avver non s'ama, aria for soprano and Orcheseter (1774 ), for?
Nel tuo Rasserena barbaro, aria fragment for?
Sans argent et sans crédit ( Boschetto - Pirati - Lauretta ) scene with orchestra ( 1768), for?
Scomodarmi since palazzo e trattarmi in questa Guisa, Aria F major for soprano and orchestra (1775 ), for?
Se amor m'ha date in testa, se mi far delirare, aria for soprano and orchestra (1776 ), for?
Se credessi di volare ( Peppino ), Arie E-flat Major for Bass and Orchestra ( 1774), for?
Se tu vuoi Dio veder ( Achior - Ozia, ) duet, FL Gassmann La Bethulia Liberata?
Se tu vedessi il core ( Isabella ), Aria in G major for soprano and Steicher, for example, Galuppi Il Villano geloso
Signor mio bene scrivete ( Pasquino ), Arie F Major for Bass and Orchestra ( 1775), for A. Felici La News?
S'odo, O Duce ( Epponina - Voadice - Sabino - Arminio - Annio ), the finale of an opera ( 1785? ), For G. Sarti, Giulio Sabino
Son then, so ma l' arte delle ancor plebe ( Polissena ), aria for soprano and orchestra (1774 ), for G. Paisiello Il Tamburo ( nocturne )
Son nipote d'un togato ( Isabella ), Aria F major for soprano and strings, for example, Galuppi Il Villano geloso
Sopra il volto sbigotito, Arie E-flat Major for Bass and Orchestra for?
Talor non si comprende, aria for bass and orchestra for?
Tenero cor, recitative and cavatina for soprano and orchestra (1780 ), for?
Tu che ferita was, aria for tenor and orchestra, for Il Barone di Rocca Antica?
Tu il fato regola ( Idalide ) scene for soprano and four -part chorus with orchestra, for?
Tutte le furie unite in questo petto io sento, aria for soprano and orchestra (1776 ), for?
Tutti dicon che la moglie, aria for bass and orchestra for?
Una dominatrix? una nipote? - See Arie Monkey questa saria grandissima
Un bel marito, aria for soprano and orchestra, for?
Pescatore Un amore mi pare, aria for bass and orchestra for?
Vedi che ben queste scene, trio for soprano, alto, bass and orchestra for?
Venga la finestra su, aria for tenor, chorus and orchestra for?
Venissi cari, l' è affare serio ( Patenio ), aria for bass and orchestra ( 1777), for?
Damn String ( Mauser ), aria for tenor and orchestra, for?
[ ... ] Vicino a perdere l' amato ben, aria fragment for?
Villottino million bellino ( Lisetta ), aria for alto and orchestra (1775 ), for?
Vi son sposa, aria for?
Vivi felice pure ognora (Anna - Caterina ), Recitative and Duet for two sopranos with a final chorus Si onor (1777 ), for?
Aria ( Polissena ) for soprano and orchestra (1774 ), for G. Paisiello Il Tamburo ( nocturne )
Finale of an opera for three sopranos, two tenors, bass and orchestra ( 1779), Gelosi for La Scuola de '?

Ballet music and incidental music

Pafio e Mirra ossia I prigionieri di Cipro - Ballet in 16 numbers for L' Europe riconosciuta ( 1778)
Ballet Music in 7 numbers
Ballet music in 10 numbers
Ballet music in 8 numbers
Fragment of a ballet music
Overture, four intermediate file and nine choirs to The Hussites before Naumburg by August von Kotzebue ( 1803)

Secular cantatas

Cantata per le nozze di Francesco I for soloists, chorus and orchestra (1808 )
The Tyrolese militia for soprano, tenor, bass, four -part chorus and orchestra (1799 )
The Four Times of Day for four-part choir and orchestra ( 1819)
You, this Federal rock and founder for four-part choir and orchestra in praise of Gassmann's (1820 )
Habsburg for tenor, bass, four -part chorus and orchestra ( 1805/ 06)
Il Trionfo della Gloria e della Virtù for two sopranos, tenor, four -part chorus and orchestra (1774 or 1775)
La Riconoscenza for soprano, five-voice choir and orchestra ( 1796)
La Riconoscenza de ' tirolesi for four-part choir and orchestra ( 1800)
La sconfitta di Borea for soloists, four -part chorus and orchestra (1774 or 1775)
Let us close all, all! for soprano, tenor, bass, four -part chorus and orchestra for the birthday of Count Heinrich Wilhelm III. Haugwitz (1817 )
Le dernier Jugement for tenor, four -part chorus and orchestra (1787 /88)
L' Oracolo for soloists, four -part chorus and orchestra ( 1802/ 03)
How a purple flower for two sopranos, four -part choir and Orchestra (Arrangement of the choir I.1 and II.1 of the duet from Armida )

Secular choruses

Cupid let you down [ Picciola Serenata ] for four-part choir and orchestra ( 1808)
At the desired peace in 1814 for four-part choir and orchestra ( 1814)
On the religion for four-part choir a cappella (1814 )
A mover un sol [ Sonetto ] for four-part choir and orchestra in praise of Haydn (1820 )
On the occasion of Peace for solo soprano, tenor, bass and orchestra (1800)
Both rich you hand for four-part choir - fragment
That out of nowhere for soprano, alto, tenor, bass and orchestra in praise of Haydn - version of the choir A mover un sol ( 1820) later, German
Del Redentore lo scempio for four-part choir and orchestra ( 1805 )
The caution favor, protect, beglücktes Austria, up for four-part chorus and orchestra (1813 ) - new version of the finale of The Tyrolese militia (1799 )
Dio serva Francesco for four-part choir and orchestra
Do re mi fa for four-part choir a cappella (1818 )
It shall sound the tones for four-part choir and orchestra
Hearty bey the sensation so long awaited and now made peace in 1814 for four-part choir and orchestra ( 1814)
Down into the bosom of Amphitrite for four-part choir and orchestra ( from Danaus? )
Il piacer la gioia Scenda for four-part choir and Orchestra (Arrangement of a choir from Semiramide )
O peace, rich in the salvation of the Lord - see Hearty bey the sensation so long awaited and now made peace in 1814
Ogni bosco, ogni Pendice for four-part choir and orchestra - the opening chorus of the cantata Il Trionfo della Gloria e della Virtù
Religion, thou heaven daughter - see to religion
Recollection of the German nell'anno 1813 for four-part choir and orchestra (1813 /14)
Suspended down, holder o Seraph peace - to see the desired peace in 1814
Focus was on our country - see reminiscence of the German nell'anno 1813

Songs and part-songs with and without piano, canon

Approx. 340 works in Italian, German (including texts by Schiller, GA citizens, Castelli, Matthisson ), French or Latin for different occupations

Sacred vocal music

Oratorios and sacred cantatas

Davidde for soloists, four -part chorus and orchestra (1791 ) - fragment
Gesù al limbo for soloists, four -part chorus and orchestra (1803 )
La Passione di Nostro Signore Gesù Cristo for soloists, four -part chorus and orchestra (1776 )
Le dernier Jugement for tenor, four -part chorus and orchestra (1787 /88) - see above
Saul for soloists, four -part chorus and orchestra (1791 ) - fragment

Fairs, mass movements and Requiems

Mass in C major for four-part choir a cappella ( 1767) - called " Missa stylo a cappella "
Mass in D major for four-part choir and orchestra (1788 ) - also known Hofkapellmeistermesse or Emperor Exhibition
Mass in C major for double chorus and orchestra (1799 ) - also known proclamation fair
Mass in D minor for soloists, four -part chorus and orchestra (1805 )
Mass in B flat major for soloists, four -part chorus and orchestra (1809 )
Kyrie in C major for soloists, four -part chorus and orchestra (1812 ) - Part of an unfinished exhibition
Kyrie in F major for four-part choir and orchestra - Fragment
Requiem in C minor, for soloists, four -part chorus and orchestra (1804 )
Requiem aeternam and Dies irae C minor for four-part choir and orchestra (ca. 1815-20 )

Graduals

Ad te levavi animam meam E flat major for four-part choir and orchestra
A solis ortu per Festo Corporis Christi SS, C major for four-part choir and orchestra ( 1810)
Benedicam Dominum per Dominica 12ma post Pentecostem aut de Tempore, B- flat major for four-part choir and orchestra
Confirma hoc Deus C major for soloists, four -part chorus and orchestra (1809 )
Improperium C minor for four-part choir a cappella
Justorum animae A Major for four-part choir and orchestra ( 1800 )
Liberasti nos, Domine per Dominica XXIII. et ultima post Pentecostem, D major for four-part choir and orchestra ( 1799)
Magna opera Domini because tempore, in D major for four-part choir and orchestra ( 1810)
Spiritus meus in D minor for four-part choir and orchestra ( 1820)
Tres sunt, qui testimonium dant in coelo SS de Trinitate, D major for four-part choir and orchestra
Veni Sancte Spiritus B flat major for four-part choir and orchestra ( 1800)
Veni Sancte Spiritus per Festo Pentecostem, B- flat major for four-part choir and orchestra ( 1805)
Venite gentes C major for double chorus and orchestra (1799 )
Vox tua mi Jesus C Major for four-part choir and orchestra ( 1774)

Offertories

Alleluia ( deinde ) Bonum est D Major for four-part choir, strings and organ
Alleluia in D major for four-part choir and orchestra ( 1774) - 1788 reworked into the Amen fugue in the Gloria of the Mass in D major
Alleluia in D major for four-part choir and orchestra ( 1780)
Assumpta est Maria C Major for four-part choir and orchestra ( 1799)
Audite vocem magnam C Major for four-part choir and orchestra ( 1809)
Beatus vir, qui non abit D major for soloists, four -part choir and orchestra
Benedixisti Domine F major for four-part a cappella choir - Offertory for " Missa stylo a cappella " ( 1767)
Benedixisti Domine F major for four-part choir a cappella
Cantate Domino omnis terra C major for double chorus and orchestra (1799 )
Desiderium animae F major for soprano, alto, bass and orchestra
Domine, Dominus noster G major for four-part choir and orchestra ( 1812)
Dum corde pio C Major for four-part choir, bass and organ
Super omnes gentes Dominus excelsus C Major for four-part choir and orchestra ( 1806)
Gloria et honor (s) C major for four-part choir and orchestra ( 1809)
Jubilate Deo A Major for four -part choir and orchestra
Justus ut palma B flat major for four-part choir and orchestra
Lauda Sion Salvatorem C Major for four-part choir and orchestra ( 1805)
Laudate Dominum omnes gentes D Major for four-part choir and orchestra ( 1809)
Magna et sunt opera tua mirabilia C Major for four-part choir and orchestra ( 1809)
Magna opera Domini C Major for four-part choir and orchestra ( 1812)
Miserere nostri G minor for four-part choir and orchestra ( 1805)
Miserere nostri E-flat Major for four-part choir and orchestra ( 1803)
O altitudo divitiarium C Major for four-part choir and orchestra ( 1809)
O quam bonus est et suavis B flat major for soloists, four -part choir and orchestra
Sanctum nomen Domini Populi assortments E-flat Major for four-part choir and orchestra ( 1778)
Salve Regina D Major for four-part choir and orchestra ( 1815)
Salve Regina ( with German text) G Major for four-part choir and organ
Salve Regina B flat major for four-part choir and orchestra
Salvum fac populum (1805 ) - lost -
Si ambulavero in medio G minor for four-part choir and orchestra ( 1809)
Sub tuum praesidium B flat major for four-part choir and orchestra ( 1820)
Tui sunt coeli in C major for four-part choir and orchestra
Tui sunt coeli -flat major for four-part choir and orchestra

Psalms

Beatus vir qui timet Dominum D major for two tenors, four -part choir and orchestra
Confitebor Domine B flat major for four-part choir and orchestra
De profundis F minor for two-part choir, bass and organ (1815 )
De profundis G minor for four-part choir and orchestra ( 1815)
Dixit Dominus in G major for four-part choir and orchestra
Lauda Jerusalem Dominum in C major for four-part choir and orchestra ( 1815)
Laudate Pueri Dominum G major for six -part choir and orchestra
Magnificat in C major for four-part choir and orchestra ( 1815)
Magnificat in F major for two-part choir and orchestra ( 1815)

Litanies

Litania di B.M.V. F major for soloists, four -part choir and orchestra
Litania per Sabbato Sancto B flat major for four-part choir a cappella (1820 )

Hymns

Coelestis urbs Jerusalem hymn de dedicatione Ecclesiae, A Major for four -part choir and orchestra
Genitori F major for soprano, four -part choir and orchestra
In te Domine speravi E flat major for two sopranos and bass (1817 )
Tantum ergo in C major for double choir, two clarinets, four horns, four trumpets ( Clarini ), timpani, bass and organ
Tantum ergo in C major for four-part choir, two oboes, two bassoons, four trumpets ( Clarini ), timpani and organ
Tantum ergo in C major for four-part choir, two trumpets ( Clarini ), timpani and organ
Tantum ergo F Major for Soprano and Strings ( 1768)
Te Deum Laudamus in C major for soloists, four -part chorus and orchestra (1819 )
Te Deum Laudamus de Incoronazione, D major for four-part choir and orchestra ( 1790)
Te Deum Laudamus D major for double chorus and orchestra (1799 ) - new version of the Te Deum of 1790

Introit

Avertisti captivitatem Jacob per Dominica XXIII. et XXIV post Pentecostem, B- flat major for four-part choir, strings and organ
Beati immaculati de Virginibus et Martyribus et de Sancto Stephano, F major for four-part choir, strings and organ
Concupiscit et deficit in dedicatione Ecclesia et in Festo Tranfigurationis Domini, F major for four-part choir, strings and organ
Dico ergo per Festis Mariae Virginis Beatae, D minor for four-part choir, strings and organ
Domine exaudi vocem meam per Dominica XXII. post Pentecostem, F major for four-part choir, strings and organ
Et tuam justitiam per Festo Epiphaniae, D minor for four-part choir, strings and organ
Et per Festo S. Joannis psallare Apost. et S. Joannis Bapt. , B- flat major for four-part choir, strings and organ
Inductus est Dominus per Dominica infra octavem Nativitas Domini et ad secundam Missam, F major for four-part choir, strings and organ
In civitate per Festo Mariae et Purificationis Dominica VIII post Pentecostem, C major for four-part choir, strings and organ
In mandatis ejus et de Confessore in Festo Sancti Joachim, G minor for four-part choir, strings and organ
Jubilate Deo Jacob Dominica in Albis per, per Feria II post Pentecostem et in solemnitate corporis Christi, D minor for four-part choir, strings and organ
Jubilate Deo per Festo St. Januarii Episcopus et Mart. , Per Festo Ascensionis Domini, F major for four-part choir, strings and organ
Laetentur insulae per Dominica III. , IV, V, VI. post Epiphaniam, F major for four-part choir, strings and organ
Ne quando taceas per Dominica VI. post Pentecostem, D minor for four-part choir, strings and organ
Neque celaveris de Confessore, B- flat major for four-part choir, strings and organ
Quam est nomen tuum admirabile per Festo Sanctissime Trinity, D minor for four-part choir, strings and organ
Tu cognovisti per Festo Sanctorum Apostolorum D minor for four-part choir, strings and organ

Motets and sacred arias and songs

Audimus Dei verbum - lost
Contra vos, o monstra horrenda B flat major, motet for soprano, four -part chorus and orchestra (1769 ) - doubtful
Cor meum conturbatum G minor for four-part choir and orchestra
Ecce enim veritatem G major for bass, three violas, double bass and organ
Fremat tirannus C major, motet for soprano, four -part chorus and orchestra ( 1778)
Magna est virtus - lost
Misericordius Dominus E flat major, duet for soprano, bass, concertante violin and orchestra
O mortales, Festinate B flat major, aria for soprano, concertante clarinet and orchestra - doubtful
Quae est illa - Ave maris stella B flat major, recitative and aria in honorem BVM for soprano, oboe, strings and organ - Latin parody of the aria " Ah, se foss'io smarrita " ( II.2) of Salieri's L' Amore innocente
Quam magna multitudo B flat major, duet for two sopranos, strings and organ - Latin parody of the duet " Ah se ben mio tu sai " from Salieri's La Fiera di Venezia
Quem terra pontus sidera A Major for Soprano and Orchestra - Latin parody of the aria " Ai passivated erranti " ( II.5) of Salieri's La Passione di Nostro Signore Gesù Cristo
Salve Jesus pie duet - lost
Tu es spes mea, Domine for Soprano, Flute, Oboe and Orchestra

Instrumental music

Concerts

Concerto for Oboe, Violin, Violoncello and Orchestra in D major (1770 )
Handed second sentence only in a version for oboe, two bassoons and strings - Concerto for Organ and Orchestra in C major (1773 )
Concerto for Piano and Orchestra in C major (1773 )
Concerto for Piano and Orchestra in B flat major (1773 )
Concerto for Flute, Oboe and Orchestra in C major (1774 )
Concertino da camera for Flute and Strings in G major (1777 )

Symphonies, Overtures and Variations for Orchestra

Symphony in D major Il Giorno onomastico (1775 )
Symphony in D major La Veneziana ( Gelosi around 1785 by an anonymous hand from the overtures to La Scuola de ' La Partenza inaspettata together)
Three Minuets in B flat major, G major and D major for orchestra (probably before 1780 )
26 Variations on La Follia di Spagna for large orchestra with solo violin and harp (1815 )
Allegretto in D Major for Orchestra
Fragment of a Symphony ( Overture ) in G major
Fragment of an instrumental movement for bassoon and strings
Overture La Frascatana - doubtful

Serenades

Picciola Serenata [ quintet ] B- flat major for 2 oboes, 2 horns and bassoon ( 1778)
Serenade in B flat major for 2 clarinets, 2 bassoons, 2 horns and double bass
Serenade in C major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double bass ( alternative version of the Serenade in B flat major for seven instruments)
Serenade in F major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double bass
Cassation in C major for 2 oboes, 2 English horns, 2 bassoons and 2 horns
3 Trio in G major, E flat major and C major for 2 oboes and bassoon (probably before 1780 )
Armonia Tempio della notte per un -flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns (about 1795, quoted in the central part of the quartet " Silenzio facciasi " from the opera Palmira, Regina di Persia )

Marches

Chamber Music

4 Scherzi armonici istrumentali for string quartet (probably after 1800 )
Fugue for string quartet ( tema H.! Ben m. 's A s ma non il testo )
Fugue for three instrumental parts
Fugue in C major for two instrumental parts (1818 )
Fugue in E- flat major for two instrumental parts ( Tema Kerscorchiano )
Fughetta for two instrumental parts (Allegro alla Kosaka )
6 small pieces for piano
6 small pieces for guitar - lost

Edits on other works and collaborations with other composers

La Bethulia Liberata by Florian Leopold Gassmann: cuts in recitatives and arias, as well as involvement of additional choirs that Salieri takes over from other Gassmann'schen compositions (1820 )
Il Talismano: Community composition of Salieri ( first act ) and Giacomo Rust (second and third act ) ( 1779)
Iphigénie en Tauride by Christoph Willibald Gluck: Iphigenia in Tauride Italian version than in the translation of Lorenzo Da Ponte ( 1783)
Per la ricuperata salute di Ofelia for voice and piano: Community composition of Salieri, Mozart and " cornetti " ( 1785 ) - lost
Requiem in E flat major by Niccolò Jommelli: additional instrumentation with two oboes, two bassoons and two trombones (for solemn requiem for Christoph Willibald Gluck on April 8, 1788)
Stabat Mater in F minor by Giovanni Battista Pergolesi: Arrangement for Soloists, Choir and Orchestra, instrumentation of Süssmayr

Theoretical works and writings

Lib partimenti di di varia specie per profitto della gioventù - lost
Pamphlet on the torn in strings maniera languida, Smorfiosa (1814 )
Scuola di canto in an insured insured in musica a 4 voci (1816 )
Christian opinion on inadequate organ accompaniment in the Church (1816 )
Joint Statement by Ludwig van Beethoven on the benefits of the metronome of Mälzel (1818 )

Variations on Salieri's works

Wolfgang Amadeus Mozart (1756-1791) 6 Variations for Piano in G major on Mio caro Adone from La Fiera di Venezia KV 180 (1773 )
Giuseppe Sarti (1729-1802) Variations for Violin and Piano on the Cavatina La ra la ra La Grotta di Trofonio (1786 )
Johann Baptist Vanhal (1739-1813) 7 Variations for Piano on the trio Venite, o Donne, meco from La Grotta di Trofonio (1786 )
Josephus Andreas Fodor (1751-1828) Variations for Two Violins on the Aria Ainsi qu'une abeille from Tarare (ca. 1788)
Franz Jakob Frey Staedtler (1761-1841) 9 Variations for Violin and Piano in G major on the Cavatina Come ape ingegnosa from Axur, Re d' Ormus [ varied à la C.Ph.E. Bach, Sterkel, Kozeluch, Albrechtsberger, Vanhal, Haydn, Mozart, Clementi, Martin y Soler ] (1791 )
Anonymous Variations for Violin and Piano on the Cavatina La ra la ra La Grotta di Trofonio (ca. 1791)
Josepha Barbara Auernhammer (1758-1820) Variations for Piano on the duet La stessa, la stessissima from Falstaff ossia Le tre burle (after 1799)
Carl Friedrich Zelter (1758-1832) Dancing and singing victims (Come ape ingegnosa ) from Axur, Re d' Ormus with some free variations for piano (1792 )
Joseph Gelinek (1758-1825) 8 Variations for Piano on the trio coppia si tenera from Palmira, Regina di Persia, Op 8 (1796 ) Variations for piano on a march from Cesare in Farmacusa ( 1805 )
Leonhard von Call (1768-1815) Variations for Mandolin ( or violin) and guitar on the duet Qui dove ride [ recte: Scherza ] l' aura of Axur, Re d' Ormus, Op 25
Philipp Karl Hoffmann (1769-1843) 6 Variations for Piano on the trio coppia si tenera from Palmira, Regina di Persia, Op 8 (1798 )
Ludwig van Beethoven (1770-1827) 10 Variations for Piano in B flat major on the duet La stessa, la stessissima from Falstaff ossia Le tre burle WoO 73 (1799 )
Johann Baptist Cramer (1771-1858) Capriccio for Piano on the Barcarolle Ahi! povero Calpigi from Tarare
Joseph Cub (1773-1812) 9 Variations for Piano in B flat major on the duet La stessa, la stessissima from Falstaff ossia Le tre burle (1799 )
Mlle Benaut (* 1778) Variations for Piano on a Theme by Salieri
Johann Nepomuk Hummel ( 1778-1837 * ) Fantasy for piano in C minor, S20 on issues of Salieri ( Overture to Axur, Re d' Ormus ), Haydn ( Symphony " The Surprise " ) and Mozart (different numbers from The Magic Flute ) ( 1799)
Friedrich Kalkbrenner (1785-1849) Introduction and Rondino for piano on the Barcarolle Ahi! povero Calpigi op from Tarare 78 ( 1826 )
Ignaz Moscheles (1794-1870) Impromptu martial for Piano in G major on a march from Palmira, Regina di Persia, Op 65 ( 1825 )

Armida (Salieri) Der Rauchfangkehrer Tarare (opera) Les Horaces Domenico Cimarosa Friedrich Schiller Ignaz Franz Castelli Folia

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