Cross-beat

Cross - rhythm, occasionally cross or cross- rhythm rhythmic, is a special form of polyrhythm and polymetric.

Alternative names are from the classic rhythm teaching a persistent prolonged conflict rhythm. The hemiola is a special form of a sequence of different meters. Short Continuous polyrhythms must not influence the underlying meter while longer and specifically designed as cross - rhythm, the meter is attacking. In these cases, polyrhythmic and polymetric can not be distinguished accurately.

After Gerhard Kubik is the polyrhythms, the cross- rhythmic technique that, when different, simultaneously sounding forms a single metrical the main emphasis (focus ) of the coming to be a before or after the other, giving the impression of a crossover is caused by rhythms. It translates cross rhythm with cross rhythms.

The term was coined in 1934 by Arthur Morris Jones. It occurs in various meanings.

An example of a structured into 3 3 2 pattern metrics, which occurs in different positions and against a 2/4 stroke (more precisely 4/8) is, is the Maple Leaf Rag. For 3 2 3 The Easy Winners is an example.

In the example: