Honey 2

Honey 2 - Leave No Move from ( Honey 2 ), is an American dance film directed by Bille Woodruff from 2011 and a continuation of Honey from the year 2003 The main role is played by Katerina Graham.. The film was released on 10 June 2011 in the UK, North America, he has been released directly to DVD.

Action

The 17- year-old Maria Ramirez has been advised with the law in conflict and sentenced to prison. After her release, Maria returns refined back to their neighborhood in the Bronx and decided to change their lives radically. The young people want to use their talent for street dance, as it did Honey. From their mother Connie it is received and in the dance studio she helps with.

In a night of partying she discovers her long-lost love of life again. It directs Brandon's attention, who works in the dance studio and studied dance at college and business administration. Brandon asking Mary to join his crew. She does this in order to win a big dance competition and thus to take revenge on her ex-boyfriend Luis. After some difficulties within the now called Department and disputes with Luis ' Crew " HD" they can actually win the competition.

Criticism

" " Honey 2 " is simply overloaded: The director builds Twists, where none are needed, as he bombards his audience with dance sequences en masse and a wide variety of musical styles - there might be less actually been more Genre fans will still take pleasure in " Honey 2. " have - not least because of the taken for itself strong dance performance, especially from lead actress Katerina Graham, and the video -heavy, kinetic staging over which the dance floor activity be captured impressive. "

" The continuation of this little profound pandering to the young target audience now has no heart at all, neither for the story nor the characters. This must be quite genre - typical, while quite rude plagiarized from Step Up 3D enforce or StreetDance 3D at the local street dance battle against the competition. So you steal in the imitators of his own predecessor, but still could not answer the three-dimensional abdominal muscles and elaborate choreographies their flat stories. "

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