Karl Raupp

Karl Raupp ( born March 2, 1837 in Darmstadt, † June 14, 1918 in Munich) was a German painter.

Life

Raupp formed initially in August Lucas as a landscape painter and from 1856 to 1858 under James Becker at the Städel Institute in Frankfurt for the genre. As a pupil of the Munich Academy, he joined 1860-1865 closely to Karl Piloty. He then founded his own studio and soon formed a small private school of painting.

In 1868 he was appointed professor of painting at the School of Applied Arts Nuremberg and worked until 1879 in this position, when he returned to Munich and was appointed professor at the Academy. There he taught many students who have been known elsewhere later as a painter and draftsman, or, as among others, Karl Arnold, Fritz and Erich Kuithan, Hans Brand, Kristoffer Holst, Walter mercury, Andrea Robbi, Karl Gross - Sattelmair, William Stumpf, Alois Kolb and Joseph Ehrismann. Raupp painted with preference evocative images, in which landscape and Masked keep the balance, and preferably motifs from the life of fishermen and countrymen am Chiemsee, whom he met in 1869. He was called because of this issue and the " Chiemsee Raupp ," founded a painters' colony on the island woman, wrote a manual of painting ( 4th edition 1904) and was co-editor of the Chronicle, published in 1918 by the Women Artists Chiemsee.

He had a fine sense of color; His presentation was broad and strong.

Selections

  • In the protection of the Mother
  • Boat trip on the lake Chiemsee
  • Young people
  • Several passengers
  • Return home from the weather
  • In silent flood
  • Happy landed in the waves
  • Prayer bells at noon during the harvest
  • Ave Maria
  • Amalie Nister as the bride of the artist (Munich, Neue Pinakothek )
  • Thunderstorm at the Chiemsee, 1885 (Munich, Neue Pinakothek )
  • Serious encounter, 1889 (Münster, Westphalian State Museum )

Secondary literature

  • Karl Raupp. In: Ulrich Thieme, Felix Becker et al: General lexicon of visual artists from antiquity to the present. Volume XXVIII, EA Seemann, Leipzig 1934, pp. 43-44.
  • Adolf Rosenberg. Munich school of painting in its development since 1871 Hannover 1887, pp. 32f.
  • A century Chiemsee painting ( 1830-1930 ). Exh. Gatehouse, woman Chiemsee 1979, No. 29-33
  • Munich painter in the 19th century. Munich 1982, p 333, 336
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