Annette Schlünz

Annette Schlünz ( born September 23, 1964 in Dessau ) is a German composer. She lives in Strasbourg.

Life

Annette Schlünz already received a four -year-old musical and dance lessons (recorder) and worked early in numerous plays, operas, operettas and musicals (even in the children's choir). First musical recordings there are of the five-year olds. From 1971, received instruction at the music school in Dessau in the subjects recorder and piano, from 1976 also in oboe. At the same time, she received lessons in music theory and was a twelve-year old member of the composition class hall, Hans -Jürgen Wenzel had founded. Additional instruction in composition was Annette Schlünz at this time by Günther Eisenhardt and Dietrich Boekle. It also emerged first pieces that have been performed in public.

From 1983 Schlünz taught even in the context of children's composition class and studied from this year at the University of Music Carl Maria von Weber Dresden composition ( Udo Zimmermann), piano ( Heidrun Richter) and composition / Modern techniques ( Wilfried Krätzschmar ). In the evening studies, she studied with Rudolf Neuhaus also conducting and dealt in the studio of the Dresden Academy depth with electronic sound generations. In 1987 she was a research assistant Udo Zimmermann's at the Dresden Center for Contemporary Music and was a lecturer for music theory and ear training at the Dresden Academy of Music. 1988-91 Annette Schlünz was a master student of Paul -Heinz Dittrich at the Academy of Arts in Berlin. Also important encounters with Iannis Xenakis in Darmstadt and Helmut Lachenmann in Stuttgart were.

1986 and 1989 she attended the Bartók Festival in Szombathely / Hungary and an intern in this framework with the conductor and composer, Péter Eötvös. 1988 Schlünz traveled for the first time to the West, where they " composers today - yesterday " participated in Heidelberg at the festival. 1990 and 1992 she attended the Darmstadt Summer Courses for New Music. In 1990 she was awarded the Hanns Eisler Prize, 1997, she was awarded a scholarship from the Villa Massimo in Rome in 1998, she received the " Heidelberg Artists Award". She has received numerous commissions, including of the " group New Music Hanns Eisler ", the " Scharoun Ensemble", the Berlin Radio Symphony Orchestra, the ensemble " Les Percussion de Strasbourg " and several festivals. She was invited in addition to music events in the U.S., South America and in Vietnam. Since 2010 she is member of the Saxon Academy of Arts.

Works

Stage works:

  • Matka ( chamber opera, libretto by the composer, after Karel Capek ), 1988-89.
  • Un jour d' été (music theater for children, text by Pierre Garnier ), 1996.
  • TagNachtTraumstaub (music theater, texts by the composer, Matthias Roth and Ulrike Schuster ), 1999-2000.

Orchestral works:

  • Picardy, 1992.
  • Fadensonnen, for 17 players, 1993.
  • But you therein, for bass clarinet ( bass clarinet), Tuba and Orchestra, 2001-02.

Chamber music:

  • Il sur la ville pleut doucement, for string trio, 1989
  • Black night is blue, for oboe, trumpet, viola, cello, double bass, piano and percussion, 1990.
  • Powder Blue Shadows mixes, for flute and guitar, 1990.
  • Even if the wings are broken, for violin and ensemble, 1990.
  • Oh, it ..., for tuba, 1991.
  • La Faulx de l' été, for recorders (1 player) and percussion, 1991. ( version for flute and percussion, 2001).
  • Confused ... the shadow, for 3 bassoons, 1992.
  • Where the silence begins, Viola, Cello, Double Bass, 1993.
  • Et la pluie se with à tomber, for 6 percussionists, 1994.
  • Conduct, slip away, unfold, for Guitar, 1994.
  • - Silent - for organ and 3 percussionists, 1994 ( version for organ and percussion, 2004).
  • Dream herb, for flute ( alto flute and bass flute ), clarinet ( bass clarinet), violin, viola, cello, double bass, piano, percussion, 1995.
  • Still a wor () t, for clarinet, English horn, trombone, cello, double bass, 1996.
  • Nuages ​​, for 4 percussionists, 1996.
  • How it is, for clarinet, string quartet, 1997.
  • SOL STITIUM, for oboe, clarinet, violin, viola, cello, piano / harpsichord, 1997.
  • Unceasing insomnia, for tuba and tape, 1994-98.
  • Aequi - Noctium, for oboe, bassoon, trumpet, trombone, viola, double bass, piano, percussion, 1998.
  • Voicelessness, for flute ( bass flute ), clarinet ( bass clarinet ), guitar, percussion, 1998 ( also version for clarinet, saxophone, guitar, percussion, 2005).
  • Resolved ( swallowed ), for flute, clarinet, violin, cello, piano, 2000 ( also version for clarinet, trumpet, violin, cello, piano, 2001).
  • Looking (m) I, for cello, 2000;
  • Next, for flute ( alto flute ), clarinet, piano, 2000.
  • Groping, watering, for flute, piano, 2001.
  • Hydrangeas, for bass clarinet, 4-channel audio playback, 2002.
  • Fly fly?, for flute ( bass flute ), oboe, clarinet, 2003.
  • Ultime tentative no. 4, for any number of players, 2004.
  • ZEBRA, for electric violin, 4-channel audio playback, live electronics, 2004.
  • Dehors, for bass flute, bass clarinet, percussion, 2005.
  • In the rivers, for clarinet, cello, accordion, 2005.
  • High tide, for clarinet ( bass clarinet), double bass, accordion, live electronics, 2005.
  • Light from the one, for recorders (1 player) and Koto, 2006.

Chorus:

  • Ornithopoesie (Text by Pierre Garnier ), 12 mixed voices, 1989.
  • Delicate buttons (text by Matthias Roth, Pierre Garnier ), for female chorus, 1997.

Music with vocal soloists:

  • When traces of water and salt, voice, 11 players, 1987;
  • Rosen ( text by Ingeborg Bachmann ), mezzo - soprano, piano, 1988;
  • Action ( text by Urszula Kozioł ), speaker, clarinet ( bass clarinet ), bassoon, French horn, string quartet, double bass, 1991;
  • Tout est rêver ( texts by Friedrich Huch, Pierre Garnier ), soprano, clarinet ( bass clarinet ), percussion, 1992;
  • The anti- Rose ( texts by Yvan Goll, Claire Goll ), soprano, violin, piano, 1995;
  • A wor ( ) t ( text from: anonymous source), speaker, flute, guitar, violin, 1996;
  • You could stay ( texts by William Shakespeare, Jeanette Winterson ), soprano, speaker, piano, 1997;
  • Breast, brut ( text by Ulrike Draesner ), baritone, piano, 1998;
  • Ultime tentative I-III ( texts by Ulrike Schuster, Christophe Tarkos ), soprano, mezzo - soprano, recorders (1 player ), 1998-99;
  • Arianna II ( texts by Ulrike Schuster, anonymous sources), soprano, 2 violins baroque, baroque cello, harpsichord, 1999;
  • MOCCOLI ( text by Johann Wolfgang von Goethe, arranged by the composer, Ulrike Draesner ), soprano, clarinet ( bass clarinet ), cello, 1999;
  • Violent customer - Gibbongesänge ( text by Ulrike Schuster ), voice, tape, 2001;
  • Evening Blackbird ( text by Undine Gruenter ), countertenor, bass flute, oboe, clarinet, tenor saxophone, bassoon, trumpet, viola, cello, double bass, 2 percussion, 2002;
  • Glass in the belly ( texts by Ulrike Draesner, Pierre Garnier ), soprano, flute, oboe, clarinet, French horn, bassoon, 2004

Piano solo:

  • Shadowed, 1991

Multimedia:

  • I see the dream of water, music promotions for a mobile Ensemble ( text by Pierre Garnier ), 2 voices, recorders (1 player ), percussion, sculptures (by Daniel Depoutot ), 1995;
  • Couloir de la solitude, tape, room installation (by Thierry Aue ), 2000;
  • The - the - the other shore: FERRY MUSIC - Music to translate ( text by Ulrike Draesner ), 2 sopranos, trumpet, trombone, 2 tubas, 3 percussion, room installation (by Thierry Aue ), 2001;
  • Even ants would have liked birds ( texts by Ulrike Draesner, Ulrike Schuster, Johann Wolfgang von Goethe ), soprano, large mixed chorus (87 voices ) ( scenic actions ), bass clarinet, accordion, 2 percussion, underwater sound installation, 2002;
  • Dans l' épaisseur d'un murmure anonymous, tape, film installation (by Karine Vonna ), 2002;
  • Journal No.. 1, tenor recorder ( soprano recorder, sopranino recorder, bass recorder ), film, 2004-05;
  • Blueprint ( texts by Ulrike Draesner, Charles Pennequin, Christophe Tarkos ), soprano, clarinet, trumpet, violin, cello, accordion, percussion, film (by Thierry Aue ), 2005

Discography:

  • Action. Daniel Morgenroth, speaker; Friedrich Goldmann / Scharoun Ensemble ( Aurophon / DZzM, 1992)
  • Conduct, slip away, unfold. Clean Bert Evers, guitar ( Saxon Media / DZzM, 1994)
  • Oh, it ... Michael Vogt, tuba (RER, 1994)
  • Dream herb; Tout est rêver; Fadensonnen; Powder Blue Shadows mixes; Ornithopoesie; Et la pluie se with à tomber. Georg Mertens, flute; Volker Hoh, guitar; Accroche - note; Les Percussions de Strasbourg; Roland Kluttig / Thürmchen ensemble; Klaus Bernbacher / Chamber Ensemble Pro Musica Nova Bremen; Roland Hayrabedian / Musicatreize Marseille ( Wergo: 6539, 1998)
  • Delicate buttons. Michael Glasses / Women's Choir of the Bavarian Radio Choir ( German Music Council: 5, 1998)
  • La Faulx de l' été. Katja Reiser, recorders; Tan Kutay percussion, ( Carpe Diem: 16256, 1999)
  • MOCCOLI. Carola Schlüter, soprano; Ensemble Phorminx (EMI Classics 26189, 1999)
  • Unceasing insomnia. Michael Vogt, tuba (Villa Massimo, 1999)
  • La Faulx de l' été ( second version ). Carin Levine, flute; Stefan Blum, percussion (Radio Bremen, 2005)
  • ZEBRA. Lenka Zupkova, electric violin ( Berlin Academy of Arts, 2005)
Gruppe Neue Musik Hanns Eisler Karel Čapek Ruth Zechlin Siegfried Matthus Georg Katzer H. Johannes Wallmann Gerd Domhardt Helmut Oehring Hans Tutschku Integrated Authority File
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