Lewis Lockwood

Lewis H. Lockwood ( born December 16, 1930 in New York) is an American musicologist.

Life

Lockwood taught from 1958 to 1980 at Princeton University, and from 1980 to 2002 at Harvard University, where he held the position of Fanny Peabody Research Professor of Music. From 1964 to 1967 he was editor of the Journal of the American Musicological Society, and from 1987 to 1988 president of the American Musicological Society.

His main research interests are the music of the Italian Renaissance as well as the life and work of Ludwig van Beethoven. He has published over 100 articles and several books.

2005 Lockwood donated the Lewis Lockwood Award of the American Musicological Society.

  • The Counter - Reformation and the Sacred Music of Vincenzo Ruffo, Princeton, 1959 ( Diss )
  • Ludwig van Beethoven, Sonata for cello and piano opus 69, First Movement: Facsimile of the autograph, Introductory Note by Lewis Lockwood, New York: Columbia University Press, 1970
  • Giovanni Pierluigi Palestrina Pope Marcellus Mass: an Authoritative Score; Backgrounds and Sources, History and Analysis, Views and Comments, New York: Norton, 1975, ISBN 0-393-02185-8
  • Music in Renaissance Ferrara: the Creation of a Musical Center in the 15th Century, Cambridge: Harvard University Press, 1984, ISBN 0-674-59131-3 (as revised paperback 2008); awarded the Otto Kinkeldey Award of the American Musicological Society
  • Beethoven: Studies in the Creative Process, Cambridge: Harvard University Press, 1992
  • With Mark Kroll, The Beethoven Violin Sonatas: History, Criticism, Performance, Urbana: University of Illinois Press, 2004
  • Beethoven: The Music and the Life, New York: Norton, 2003; nominated for the Pulitzer Prize - German translation by Sven Hiemke, Beethoven - his music, his life, Kassel: Barenreiter, 2009, ISBN 978-3-476-02231-8
  • With the Juilliard Quartet, Inside Beethoven 's Quartets: History, interpretation, performance, Cambridge: Harvard University Press, 2008, with CD

Papers (selection)

  • Beethoven 's Unfinished Piano Concerto of 1815: Sources and Problems, in: The Musical Quarterly, Vol 56 ( 1970), pp. 624-646
  • On Beethoven 's Sketches and Autographs: Some Problems of definition and interpretation, in: Acta Musicologica, vol 42 ( 1970), pp. 33-47
  • Addendum to: On Beethoven 's Sketches and Autographs, Some Problems of definition and interpretation, in: Acta musicologica, vol 43 (1971 ), p 283
  • The Beethoven sketchbook in the vagina Library, in: The Princeton University Library Chronicle, Vol 37 (1976 ), pp. 139-153
  • Nottebohm Revisited, in: Current Thought in Musicology, ed. JW Grubbs, 2nd ed, Austin, 1977, pp. 139-192
  • Beethoven 's Early Works for Violoncello and Contemporary Violoncello Technique, in: Contributions '76 -78. Beethoven Colloquium 1977, ed. of the Austrian Society for Music, Kassel 1978, p 174-182
  • On the coda of the finale of Beethoven's Fifth Symphony, in: Divertimento for Hermann J. Abs, Bonn 1981, p 41-48
  • Beethoven 's Eroica Symphony Earliest Sketches for the, in: The Musical Quarterly, Vol 67 (1981 ), pp. 457-478
  • ' Eroica ' Perspectives: Strategy and Design in the first movement, in Beethoven Studies, ed. Alan Tyson, Volume 3, Cambridge: Cambridge University Press, 1982, pp. 85-105
  • Beethoven 's Early Works for Violoncello and Pianoforte: Innovation in Context, in:. The Beethoven Newsletter, Vol 1 (1986 ), pp. 17-21
  • Beethoven and the Problem of Closure: Some Examples from the middle -period Chamber Music, in: Contributions to Beethoven's chamber music. Symposion Bonn 1984, ed. by Victory Hard Brandenburg and Helmut Loos, Munich 1987, p 254-272
  • On the Cavatina of Beethoven 's String Quartet in B flat major opus 130, in: Song studies. Wolfgang Osthoff 60th birthday, Tutzing 1989, p 293-305
  • The four " Introductions " in the Ninth Symphony, in: Problems of the symphonic tradition in the 19th century. International Musicological Colloquium Bonn, 1989, Tutzing 1990, pp. 97-112
  • The Compositional Genesis of the Eroica finale, Beethoven 's Compositional Process, Lincoln: University of Nebraska Press, 1991, pp. 82-101
  • The Beethoven Sketchbooks General and the State of Sketch Research, in Beethoven 's compositional process, Lincoln: University of Nebraska Press, 1991, pp. 6-13
  • A Problem of Form: The " Scherzo " of Beethoven 's String Quartet in F major, op 59, no 1, in Beethoven Forum, Volume 2 (1993 ), pp. 85-95
  • Beethoven before 1800: the Mozart Legacy, in Beethoven Forum, Volume 3 (1994 ), pp. 39-52
  • Reshaping the genre: Beethoven 's Piano Sonatas from Opus 22 to Opus 28 ( 1799-1801 ), in: Israel Studies in Musicology, Vol 6 (1996 ), pp. 1-16
  • Movie Biography as Travesty: "Immortal Beloved " and Beethoven, in: The Musical Quarterly, Vol 81 (1997 ), pp. 190-198
  • Beethoven as Colourist: Another Look at his String Quartet Arrangement of the Piano Sonata, op 14 no. 1, in: Haydn, Mozart & Beethoven: Studies in the Music of the Classical Period: Essays in Honour of Alan Tyson, ed. of Sieghard Brandenburg, Oxford: Clarendon Press, 1998, pp. 175-180
  • Beethoven 's Emergence from Crisis: The Cello Sonatas of Op 102 (1815), in: The Journal of Musicology, Vol 16 (1998 ), pp. 301-322
  • Beethoven 's " Kakadu " Variations, Op 121: A Study in Paradox, in: Pianist, Scholar, Connoisseur: Essays in Honour of Jacob Latins, ed. Bruce Brubaker, Stuyvesant, NY: Pendragon Press, 2000, pp. 95-108
  • Beethoven, Florestan, and the Varieties of Heroism, in Beethoven and his World, ed. by Scott Burnham, Princeton: Princeton University Press, 2000, pp. 27-47
  • Alan Tyson (1926-2001), in: AMS Newsletter, Vol 31 (2001 ), No. 2, pp. 20
  • Beethoven 's opus 69 Revisited: The Place of the Sonata in Beethoven 's Chamber Music in Beethoven's works for piano and cello. Report on the International Conference Bonn, 18 - 20th June 1998, ed. of Sieghard Brandenburg, Ingeborg Maass and Wolfgang Osthoff, Bonn 2004, pp. 145-172
  • Beethoven and his Royal Disciple, in: Bulletin of the American Academy of Arts and Sciences, Vol 57 (2004 ), No. 3, pp. 2-7
  • Beethoven 's " Harp" Quartet: The Sketches in Context, in: The String Quartets of Beethoven, ed. by William Kinderman, Urbana: University of Illinois Press, 2006, pp. 89-108
  • Beethoven 's " Leonore " and " Fidelio", in: Journal of Interdisciplinary History, Vol 35 (2006 ), pp. 473-482
  • Elliot Forbes (1917-2006), in: AMS Newsletter, Vol 37 (2007 ), No. 2, pp. 23
  • " Vestas Feuer ": Beethoven on the Path to " Leonore ", in: Variations on the Canon: Essays on Music from Bach to Boulez in Honour of Charles Rosen on his Eightieth Birthday, edited by Robert Curry, Rochester, NY:. University of Rochester Press, 2008, pp. 78-99
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