Paul Baum (artist)

Paul Wood ( born September 22, 1859 in Meissen, † May 15, 1932 San Gimignano, Italy ) was a German painter, draftsman and printmaker. His style of painting developed from the style of the Barbizon school on the way to Impressionism Neo-Impressionism, whose most important representatives he was in Germany. The working as a teacher at various art colleges tree is known for depictions of landscapes in Flanders and the Netherlands.

Life

Raised in Meissen Paul Baum first began training as a flower painter at the Royal Porcelain Manufactory in his hometown. In 1877 he decided to study painting at Friedrich Preller at the Art Academy in Dresden. However, a year later he moved to the art school in Weimar, where he studied under Theodor Hagen to 1887. While studying tree toured over Mecklenburg and Hamburg, the Netherlands and Flanders.

1888 Paul Baum stayed temporarily in Allach near Munich, where he joined the artist colony Dachau and became friends with the originating also from Central Germany painters Max Arthur Stremel and Carl Bantzer. During a joint trip to Paris in March 1890 Stremel tree work of the Impressionist Claude Monet, Camille Pissarro and Alfred Sisley met. Then left tree Dachau and settled for four years in Belgium Knokke. Here he met Camille Pissarro in 1894 and the Belgian pointillist painter Théo van Rysselberghe know personally. In the same year tree went to Dresden, where he became a member of the Dresden Secession. However, in 1895 he left Dresden again and settled in the southern Netherlands Sint Anna ter Muiden near Sluis, where he remained resident until 1908. Was interrupted this stay by numerous trips to Berlin, southern France, Italy and Turkey. In Sluis he met Ernst Oppler, who also worked there as impressionistic open-air painter.

In Berlin tree in 1902 member of the local Secession. In 1909 he became a member of the New Artists ' Association of Munich ( NKVM ), he participated in their first exhibition. In the same year received the Tree Villa Romana Prize with a one-year stay in Rome was connected. Then traveled tree in Tuscany, where he remained four years. Here he lived in San Gimignano and Florence. After war broke out in 1914 tree returned to Germany and became a professor at the Art Academy in Dresden. 1915 lived temporarily in the tree Willing houses artists' colony and then went to Neustadt near Marburg. After tree friend Carl Bantzer was appointed in 1918 as professor at the Kassel Art Academy, Tree succeeded him as professor of landscape painting. 1921 Tree bought a house in Marburg, what should be on her permanent residence from now. From 1924, however, he stayed mostly in the Tuscan San Gimignano, where he died in 1932 of pneumonia. Among his honors, which he received in age, were in 1927 an honorary doctorate from the University of Marburg in 1929 and an honorary member of the Academic Senate of the Academy of Dresden.

Work

The early work of Paul tree was influenced by the plein air painting of the Barbizon School. After a trip to Paris in 1890, he took in his work of the Impressionists, the brighter colors and a comma-shaped brush strokes. Inspired by the encounter with Théo van Rysselberghe, developed tree 1900 own version of Neo-Impressionism. Together with Curt Herrmann Paul applies tree as the most important artists of this style in Germany. Among the best known works include Paul tree landscape paintings with motifs from Flanders and the Netherlands. Characteristic here are his depictions of the polder landscapes with channels and osiers which he punctual and meticulous auftrug with the brush on the canvas. His works alongside oil paintings include numerous drawings, and etchings, color lithographs and watercolors.

Selections

  • After the Rain, 1883, National Gallery, Berlin
  • Early Spring in low - Grunstedt, 1883, Castle Museum, Weimar
  • At Asbach before Weimar, 1885, City Museum, Bautzen
  • Winter landscape on the Ilm, 1885, Museum of the City, Erfurt
  • Landscape at Weimar, 1886, Museum Schäfer, Schweinfurt
  • Way to low - Grunstedt, 1886, Castle Museum, Weimar
  • Angling boys and men at the Warnow, 1886, Castle Museum, Weimar
  • Village landscape in Weimar, 1888, Museum of the City, Erfurt
  • Early spring landscape at Dachau, 1888, Museum of the City, Erfurt
  • Landscape of Dachau, 1888, University Museum of Art and Cultural History, Marburg
  • Way between harvested fields at Dachau, 1889, University Museum of Art and Cultural History, Marburg
  • Early winter near Meissen, 1890, Gemäldegalerie Neue Meister, Dresden
  • Edge of the forest in the early spring, 1890, Gemäldegalerie Neue Meister, Dresden
  • Flemish farmhouses, 1891, Gemäldegalerie Neue Meister, Dresden
  • Spring landscape on the Belgian- Dutch border, in 1891, University Museum of Art and Cultural History, Marburg
  • Mourning, motif of the Flemish lowlands, 1893, Gemäldegalerie Neue Meister, Dresden
  • Flemish farmhouses in the snow, 1894, Municipal Museum, Chemnitz
  • Washerwomen on a Dutch canal, around 1894, Gemäldegalerie Neue Meister, Dresden
  • March Snow, 1895, Museum of Fine Arts, Leipzig
  • First Snow, New 1895, Gemäldegalerie Master, Dresden
  • Density of trees on the banks of a Dutch canal, 1896, Berlin Gallery, Berlin
  • Channel supervision with willows, about 1896, Gemäldegalerie Neue Meister, Dresden
  • Meadow, New 1899, Gemäldegalerie Master, Dresden
  • Willows by the brook, 1900, National Gallery, Berlin
  • Trees on Dutch canal in the late fall, 1903, University Museum of Art and Cultural History, Marburg
  • Street scene with fountain in St. Anna, 1905, Kunsthalle, Kiel
  • Village street in Holland, circa 1905, Gemäldegalerie Neue Meister, Dresden
  • View of Sluis, about 1906, Gemäldegalerie Neue Meister, Dresden
  • Spring landscape, around 1906, University Museum of Art and Cultural History, Marburg
  • Spring landscape in Belgium, 1906, University Museum of Art and Cultural History, Marburg
  • Autumn sun, around 1906, Municipal Museum, Gelsenkirchen
  • At the exit of the village, around 1906, Städtische Galerie im Lenbachhaus, Munich
  • Tuscan landscape in the spring, around 1912, Folkwang Museum, Essen
  • Tuscan Landscape in Spring, 1912, University Museum of Art and Cultural History, Marburg
  • Hill farmstead in S. Gimignano, University Museum of Art and Cultural History, Marburg
  • Dutch canal landscape, University Museum of Art and Cultural History, Marburg
  • Width Tuscan countryside, Kunsthalle, Hamburg
  • View of San Gimignano, Lower Saxony State Museum, Hannover
Paul Baum (mathematician) Theodor Hagen (artist) Central Germany (cultural area) Berlin Secession Neustadt, Hesse Neue Deutsche Biographie Integrated Authority File
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