The Magician (1958 film)

The Face ( Original title: Ansiktet ) is a twisted black and white Swedish film drama directed by Ingmar Bergman in the year 1958.

Action

Dr. Vogler is with his wife Manda, who disguises himself as the young wizard Aman, his grandmother, the loquacious Tubal, and the coachman Simson in Sweden of 1846 traveling as a " magnetic healing theater " in the country. The in itself taciturn doctor playing the dumb. Heading the group meets on the actor Johan. This dies shortly afterwards unexpectedly.

The jugglers are stopped at Stockholm's city limits and taken to the Consul Egerman. It is said that Dr. Vogler had healed with his theater people. When consul they are also received by the scientist Dr. Vergerus and the police chief Starbeck. The Consul made ​​a bet with the scientist: Vergerus believes Vogler was a charlatan and fraud people, Consul Egerman and his wife Ottilia, however, believe in Vogler's healing powers. Star Beck, who has something against traveling people, is on the side of the scientist. He forces the troops to give a private performance for him. A first taste of Vogler's skill is acknowledged by Vergerus with scorn.

The Consul can provide Vogler and his troupe of food. Even the staff of the consul did you hear about the new arrivals. Tubal flirts with the cook Sofia, Samson with the maid Sara. Egermans woman tries to seduce Vogler.

The next morning at the launch Vogler dies sham of a heart attack. But Vogler is not dead, but gets revenge on Vergerus as home -seeking "spirit." After Vergerus has regained composure he mocked Vogler. Starbeck wants Vogler point of the city, but in that moment arrives a Eilbotschaft of the king, asking for a performance of " magnetic healing theater" at his residence. Sara Samson joins the sake of the troops, while Tubal in Sofia remains.

Background

Although The face was based on an original screenplay by Bergman, critics thought parallels to G. K. Chesterton to discover play Magic, the Bergman had staged in 1947 in Gothenburg.

The face was between 30 June and 27 August 1958. The film start on December 26, 1958 in the Swedish and on 7 October 1960 in the German cinemas.

Reviews

" A romantic and sometimes playful, style and pace inconsistent Bergman movie with theater -like dramaturgy; one of the less important works of the director. "

" An extraordinary Bergman film, one of the already announced the transition to his later films, one in which Bergman art and artists - of whatever kind - defended and cinematically before accessing a crazed rationalist world " protects ". "

" A gloomy grotesque whose ambiguity many viewers probably makes a loss. For fans of brooding about the meaning of life Swedish director Ingmar Bergman is an interesting example of his cinematic art. "

Awards

  • Special Jury Prize for Ingmar Bergman at the International Film Festival in Venice in 1959
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