Lola (1981 film)

Lola is a film directed by Rainer Werner Fassbinder from the year 1981.

Content

Lola plays in 1957 in a stuffy small Bavarian town. The benefice are distributed among the notables of the city, to work for the benefit of their own prosperity go hand in hand and everyone is happy. Business will be discussed between the mayor, the police chief, the bank manager and the building tycoon Schuckert preferably at the local brothel, the "Villa Fink " in bubbly. The idyll is rudely interrupted when a new Baudezernent, Herr von Bohm, takes office at City Hall. Correctly and incorruptible provided with brazen moral principles, he soon sees through the machinations of the Stadthonoratioren. First, quite intent on cooperation, because of the " economic miracle " benefited indeed the little man, his attitude suddenly changes when his tender love Marie- Louise as Lola, the hottest whore in the city and personal possessions of tycoon Schuckert, presented to him in the brothel will. Completely demoralized and desperate he collects evidence against Schuckert to destroy him. But no one wants to change the status quo anything, not even the press interested. And at the end all, including Bohm, integrated into the system. He gets as hush money Lola Schuckert left, Lola is new boss of the brothel, and the old transactions are resumed.

Awards

Reviews

" Watching the play of the three protagonists Adorf, Sukowa and Mueller-Stahl, is cinema-like the best. In addition, Lola is characterized by something that is not found in any other film Fassbinder -. Humour "

" In the guise of a popular story told dime - Cooper sets the moral of the Adenauer era ' bare, although it does not shy away from clichés and garish kitsch. The mannered staging the satirical intention is often an obstacle. ( Second part of Fassbinder's economic miracle trilogy ' and impressive West German debut of the GDR actor Armin Mueller-Stahl ) "

For the novel: "He, Cooper could, imagine that I would be the other male lead, the tycoon Schuckert play. Now at that time was the Blue Angel is one of my dream roles, and I was a little disappointed, I knew Mueller-Stahl, and of course, was hardly convinced that he would be miscast and I to the right for the lead role. So I sulked around a bit until Berling, who knew the script, winking at me and intimated that Schuckert was as good a role, but in any case the better, more suitable for me. He was right. " ( Mario Adorf in THE TIME. No. 13 of 18 March 2004 )

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