Was frag ich nach der Welt, BWV 94
What I ask of the world, BWV 94, is a church cantata by Johann Sebastian Bach, written in Leipzig in 1724 for the Ninth Sunday after Trinity, August 6, 1724.
History and Text
The cantata is a chorale cantata from Bach's second cantata cycle in Leipzig. It is based on the hymn in eight verses of the poet Balthasar Kindermann. An unknown librettist formed the chorale cantata to a text by maintaining the verses 1, 3, 5, 7 and 8, 3 and 5 extended by recitatives, and 2, 4 and 6 reformulated to arias. The prescribed readings are 1 Corinthians 10.6-3 LUT LUT 16.1 to 9 and Luke, the parable of the unjust servant. The cantata text only generally linked to the readings and derives from " the children of this world are wiser than the children of light," the contrast between the mortal world and from Jesus, who is the subject of the cantata.
Instrumentation and structure
The cantata is set for four soloists and a four -part chorus, flute, two oboes, two violins, viola, organ and basso continuo.
Music
The opening chorus is dominated by a concertante flute. Bach wrote for the first time for a cantata in Leipzig virtuoso flute music. Probably it was an excellent player. Two issues of the ritornello of 12 cycles, one for the flute, another for the strings and oboes are made of the chorale melody, O God, thou good God (1648 ) derived. The cantus firmus is sung by the soprano. The lively music in D major seems to describe the world rather than in the negative, as the text does.
In the bass aria with continuo, with " Smoke and Shadows" compares the world, illustrate cascading motifs 's offense, falling and breaking, while holding notes, for example, " is ", stand for stability.
In the third set the tenor sings the ornamented chorale rich. The accompaniment of two oboes and continuo is similar to the ( later ) He is on earth are poor in Christmas Oratorio, clause 7 of Part I.
In the following alto aria in which the world appears as " fraud and false appearance ", is again dominated by the flute. The arias for tenor and soprano are written in dance rhythm, Pastorale and Bourrée, they also make rather represent the world as disgust at her. The cantata is decided with two Choralstophen in simple four -part harmony.
Recordings
- The Bach Cantata Vol 46, Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart, Helen Donath, Else Paaske, Aldo Baldin, Wolfgang Schöne, Haenssler 1974
- J. S. Bach: The cantatas - Sacred Cantatas Vol 5, Nikolaus Harnoncourt, Tölz Boys Choir, Concentus Musicus Wien, Paul Esswood, Kurt Equiluz, Philippe Huttenlocher, Teldec 1979
- J. S. Bach: Complete Cantatas Vol 11, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Sibylla Rubens, Annette Markert, Christoph Prégardien, Klaus Mertens, Antoine Marchand 1999
- J. S. Bach: Cantatas BWV 9, 94 & 187, Sigiswald Kuijken, La Petite Bande, Midori Suzuki, Kožená, Knut Schoch, Jan van der crabbing, German Harmonia Mundi 1999
- J. S. Bach: Cantatas Cantatas Trinity I, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Katharine Fuge, Daniel Taylor, James Gilchrist, Archiv Produktion 2000
- J. S. Bach: Cantatas Vol 11 - Cantatas from Leipzig II 1723, Masaaki Suzuki, Bach Collegium Japan, Yukari Nonoshita, Robin Blaze Jan Kobow, Peter Kooij UNTIL 2002