Herr, deine Augen sehen nach dem Glauben, BWV 102

Lord, your eyes shall be upon the belief, BWV 102, is a church cantata by Johann Sebastian Bach, written in Leipzig in 1726 for the tenth Sunday after Trinity, August 25 in 1726.

History and Text

The cantata from Bach's third cantatas for the Tenth Sunday after Trinity was first performed on 25 August 1726, a second time around in 1737. Prescribed readings are 1 Corinthians 12:1-11 and Luke 19.41-49 LUT LUT, Jesus mourns over Jerusalem. The cantata text only generally linked to the readings and calls the soul to immediate repentance. Two sets are based on biblical texts, the opening chorus on Jer 5.3 LUT and 4 set on Rom 2:4-5 LUT. The cantata will be decided with the verses 6 and 7 of the hymn, As I live, saith thy God by Johann Heermann (1630 ). The free seal was different authors attributed CS Terry suggests Christian Weiss ago, Werner Neumann suspected Christiana Mariana von Ziegler, Christoph Walther Blankenburg helmet.

Instrumentation and structure

The cantata is set for three soloists, alto, tenor and bass, a four -part chorus, flute, two oboes, two violins, viola, and basso continuo. It consists of two parts that were making music before and after the sermon. It is unusual that the second part does not begin with the Bible word in sentence 4, 5 but with sentence

Music

The opening chorus is a mature work of Bach, which combines the instrumental and vocal parts varied and interprets the text sections obvious. The preliminary Symphony consists of two parts, which are repeated separately and together. The words of Lord, your eyes sweep three times again.

Bach used the music of the opening chorus later for the Kyrie of his Missa in G minor. Two arias ( 3 and 5) he used for Qui tollis and Quoniam the Gloria of his Missa in F major.

The bass voice in Theorem 4 are denoted by Bach himself as Arioso is treated similarly to the voice of Jesus in the Passions. The bass section was interpreted by singers who are not specialized in baroque music, as Dietrich Fischer- Dieskau with conductor Benjamin Britten at the Aldeburgh Festival.

The cantata is decided with two Choralstophen in simple four -part harmony.

Recordings

Pictures of Herr, deine Augen sehen nach dem Glauben, BWV 102

Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 # Herr, deine Augen sehen nach dem Glauben, BWV 102 #
Bach-Werke-Verzeichnis First Epistle to the Corinthians Jeremiah Chorale Bass (voice type) Vox Christi Decca Records Karl Richter (conductor) Peter Kooy BIS Records Christoph Wolff Ach Gott, wie manches Herzeleid, BWV 3 Allein zu dir, Herr Jesu Christ, BWV 33 Brich dem Hungrigen dein Brot, BWV 39 Am Abend aber desselbigen Sabbats, BWV 42 Also hat Gott die Welt geliebt, BWV 68 Alles nur nach Gottes Willen, BWV 72 Alles, was von Gott geboren, BWV 80a Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 Ach, lieben Christen, seid getrost, BWV 114 Christum wir sollen loben schon, BWV 121 Auf Christi Himmelfahrt allein, BWV 128 Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 Bereitet die Wege, bereitet die Bahn! BWV 132 Erforsche mich, Gott, und erfahre mein Herz, BWV 136 Bringet dem Herrn Ehre seines Namens, BWV 148 Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 Barmherziges Herze der ewigen Liebe, BWV 185 Mein Herze schwimmt im Blut, BWV 199 Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a St Mark Passion (Bach)
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