Du Friedefürst, Herr Jesu Christ, BWV 116
You Prince of Peace, Lord Jesus Christ ( BWV 116) is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the 25th Sunday after Trinity, 26 November 1724.
History and words
Bach wrote the cantata in 1724 in his second cantata cycle of chorale cantatas for the 25th Sunday after Trinity and led them on 26 November 1724 on.
The prescribed readings were 1 Thessalonians 4:13-18 and Matthew 24.25-28 LUT LUT, the "Great Tribulation ". The cantata text of an unknown librettist, based solely on the chorale in seven stanzas You Prince of Peace, Lord Jesus Christ by Jacob Ebert (1601 ), which is the gospel in a general relationship. The author kept the first and last verse in, wrote the verses 2-4 to the corresponding rates of the cantata and the verses 5 and 6 for the fifth movement of the cantata.
Scoring and structure
The cantata is set for four soloists, soprano, alto, tenor and bass, four -part choir, horn, 2 oboe d'amore, two violins, viola and basso continuo.
Music
The opening chorus is a chorale, the soprano sings the melody as a cantus firmus in long notes, amplified by the horn. It is embedded in an instrumental concerto with ritornellos and interludes, which are dominated by the solo violin. The treatment of the lower voices is text conditionally different. Lines 1 and 2 and the final line 7 are set as homophonic blocks in lines 3 and 4 extend the lower voices in imitation, in lines 5 and 6 in animated motion.
The alto aria is accompanied by the oboe d' amore, which is treated like a second vocal voice. The following recitative begins as a secco, but the idea beseech thee, Jesus, thou callest still a prince of peace! is accompanied by a quotation of the chorale melody in the continuo.
In a trio, which is rare in Bach's cantatas, the we of text Oh, we confess our guilt illustrated. It is accompanied only by the continuo. The following recitative is a prayer for the eternal peace which is accompanied by strings and opens into a Arioso.
The final chorale is set for four voices.
Recordings
- Bach Cantatas Vol 5 - Sundays after Trinity II, Karl Richter, Munich Bach Choir, Munich Bach Orchestra, Edith Mathis, Trudeliese Schmidt, Peter Schreier, Dietrich Fischer- Dieskau, Archiv Produktion 1978
- The Bach Cantata Vol 58, Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart, Arleen Augér, Helen Watts, Lutz -Michael Harder, Philippe Huttenlocher, Haenssler 1980
- J. S. Bach: The cantatas - Sacred Cantatas Vol 6, Nikolaus Harnoncourt, Tölz Boys Choir, Concentus Musicus Wien, boy soprano, Paul Esswood, Kurt Equiluz, Philippe Huttenlocher, Teldec 1981
- J. S. Bach: Complete Cantatas Vol 12, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Sibylla Rubens, Annette Markert, Christoph Prégardien, Klaus Mertens, Antoine Marchand 2000
- Bach Cantatas Vol 9, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Katharine Fuge, Nathalie Stutzmann, Christoph Genz, Gotthold Schwarz, Soli Deo Gloria 2000
- J. S. Bach: Cantatas Vol 28, Masaaki Suzuki, Bach Collegium Japan, Yukari Nonoshita, Robin Blaze, Makoto Sakurada, Peter Kooij, TO 2004